Behind the famous painting by Diego Velázquez lies a rich story of the artist's life in art What began as propaganda art to celebrate a rare Spanish victory in the Eighty Years' War with Holland, The Surrender at Breda is today recognized as Velázquez's narrative masterpiece. Breda is packed with vivid military detail—whole armies are suggested on the huge canvas, twelve feet high and eleven feet wide. Unlike typical surrender scenes, there is neither a heroic victor on horseback nor a vanquished commander on his knees. Instead the rivals appear on foot almost as equals. The loser bends forward to offer the key and receives a chivalrous pat on his shoulder, as if to say: "Fortune has favored me, but our roles might have been reversed." Anthony Bailey examines the paintings from which the artist arose, coaxing stories from them that flesh out a complete portrait of one of the world's major artists whose personal life has remained largely unknown.

The interest generated by the conservation and rehanging of a Velazquez picture "Portrait of a Man", led the Metropolitan Museum to consider how it might hold an exhibition of Velaquez's oeuvre, to show how his work led to this particular picture being painted, and how it informed his future work.

For so many champions of art history, the ultimate sounding board was--and remains--Diego Rodríguez de Silva y Velázquez. First available as an XXL volume, this accessible edition presents his complete works in beautiful reproductions, including enlarged details and photography of recently restored paintings.

Explores the ritual concessions as acts of warfare, performances of submission, demonstrations of power, and representations of shifting, unstable worlds. The author considers the limits of sovereignty at conflict's end, showing how the ways we concede loss can be as important as the ways we claim victory.

In this innovative book, an art historian, a conversator, a conservation scientist, and an instrumental photographer join together to analyze scientifically seven of the most important paintings of Diego Velazquez.

The third in the bestselling Captain Alatriste series. Flanders, 1625. After his tussles with the Inquisition and the intrigue of the Spanish court, Captain Alatriste has returned to the mud and desperation of the long war in Flanders. This is Iñigo's first experience of war and the realities of hand to hand combat. It is on the battlefield that he will finally have the chance to become a man and prove his worth. The troops are weary and ill-nourished and the winter has been long. As Spain sinks ever further into depravity and corruption, the soldiers have not been paid and must survive by whatever ways they can. Mutiny is in the air, but the Spaniards are strong and their famous iron discipline has brought them many victories against the Calvinist forces of the heretics. Reputation, honour, and the glory of Spain will keep them in the fight, but for how long? Meanwhile, the Captain's trusted friend Quevedo's star is rising at court and he keeps Alatriste appraised of the machinations of his arch-enemy Luis de Alquézar and the notorious assassin with the black heart, Gualterio Malatesta.