Now married, Griffin and Nat couldn’t be happier to have shared the moment with their friends, but the honeymoon period won’t last long. Still plagued with the veils and acid rains, they’re just trying to do what they do best—survive. However, things seem to be changing, improving. Cars are working again, guns are firing, there’s even electricity, but still they find themselves traveling through time. With each event, it seems they're getting closer to their original eras. The world looks to be healing itself, and as long as they stick together, they believe they’ll make it through. The only problem is, if their theories are correct, at some point they will have to let each other go to return to their own year where it all began. Hope prevails, but uncertainty continues to rear its ugly head. Will it ever be over? And if it does end, will they be able to reunite with their future selves?

* RITA finalist for Best Historical Romance * USA Today bestseller A Marriage of Convenience... Gaunt and wearing an eye patch, Major Ian Cameron returns to India after being freed from horrendous captivity in Central Asia. Thoughts of his beautiful fiancée helped him survive his imprisonment, but much can happen when a man has supposedly been dead for two years, and his return brings him face to face with how much he has lost. An unexpected inheritance gives him the opportunity to return home to Scotland and begin a new life. First, though, he must fulfill the dying wish of the Russian officer who had shared his captivity by delivering the colonel’s journal to his niece, Larissa Alexandrovna Karelian. The daughter of tempestuous Russian aristocrats, Laura Stephenson loved her quiet English stepfather and was happy to follow him to India as companion and hostess. His death leaves her adrift—until a handsome, haunted Scot appears to deliver her uncle’s journal. ​​​​​​​Startled to find a grown woman rather than a little girl, Ian quickly realizes that Laura is uniquely qualified to be his wife in an unconventional marriage. She accepts his offer and together they begin the long journey home to Britain with a side trip to the mountains to retrieve the belongings her uncle left with a friendly maharajah. In the process, they are swept into an adventure that threatens the future of India, and brings them together with a love and passion that is more than either of them had dared dream of. “Veils of Silk is terrific. Haunting. Wonderful characterization and a true sense that something is really at stake. First-rate work.” —Susan Elizabeth Phillips “Like Laura and Ian, you will be drawn into a dangerous web of intrigue and desire. Ms. Putney has written not only a stunning romance, but a love story that explores her characters’ psychological makeup and how they change through love….A mesmerizing, exotic romance.” —Romantic Times “One of the most sensual stories I have read in quite a while….I couldn’t put the book down!” —Affaire de Coeur The Silk Trilogy Book #1: Silk and Shadows Book #2: Silk and Secrets Book #3: Veils of Silk

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A probing study of the veil's recent return—from one of the world's foremost authorities on Muslim women—that reaches surprising conclusions about contemporary Islam's place in the West todayIn Cairo in the 1940s, Leila Ahmed was raised by a generation of women who never dressed in the veils and headscarves their mothers and grandmothers had worn. To them, these coverings seemed irrelevant to both modern life and Islamic piety. Today, however, the majority of Muslim women throughout the Islamic world again wear the veil. Why, Ahmed asks, did this change take root so swiftly, and what does this shift mean for women, Islam, and the West?When she began her study, Ahmed assumed that the veil's return indicated a backward step for Muslim women worldwide. What she discovered, however, in the stories of British colonial officials, young Muslim feminists, Arab nationalists, pious Islamic daughters, American Muslim immigrants, violent jihadists, and peaceful Islamic activists, confounded her expectations. Ahmed observed that Islamism, with its commitments to activism in the service of the poor and in pursuit of social justice, is the strain of Islam most easily and naturally merging with western democracies' own tradition of activism in the cause of justice and social change. It is often Islamists, even more than secular Muslims, who are at the forefront of such contemporary activist struggles as civil rights and women's rights. Ahmed's surprising conclusions represent a near reversal of her thinking on this topic.Richly insightful, intricately drawn, and passionately argued, this absorbing story of the veil's resurgence, from Egypt through Saudi Arabia and into the West, suggests a dramatically new portrait of contemporary Islam.

Please be advised: Possible Trigger Warning Hi, I'm Alexis Delaney. I'm your average 17-year-old girl. Except I can see the dead. And talk to the dead and help them move on. So..okay, I'm not your average 17-year-old girl. Right now, the Veil is shut off, and the Way is closed. Which means the dead can't move on, so, they are camping out on my lawn. I'm trying to open the Way, juggle school and, well, deal with my feelings for two of my best friends. If that isn't enough, notes have been showing up in my locker since I got back from Christmas vacation. Things are getting creepier as time goes on. He's actually starting to scare me, to be honest. But with the guys, I'll be fine. They've got my back. No one is crazy enough to take on Zeke. Right?

At first sight, tattoos, nudity, and veils do not seem to have much in common except for the fact that all three have become more frequent, more visible, and more dominant in connection with aesthetic presentations of women over the past thirty years. No longer restricted to biker and sailor culture, tattoos have been sanctioned by the mainstream of liberal societies. Nudity has become more visible than ever on European beaches or on the internet. The increased use of the veil by women in Muslim and non-Muslim countries has developed in parallel with the aforementioned phenomena and is just as striking. Through the means of conceptual analysis, Veils, Nudity, and Tattoos: The New Feminine Aesthetics reveals that these three phenomena can be both private and public, humiliating and empowering, and backward and progressive. This unorthodox approach is traced by the three’s similar social and psychological patterns, and by doing so, Veils, Nudity, and Tattoos hopes to sketch the image of a woman who is not only sexually emancipated and confident, but also more and more aware of her cultural heritage.