The Appalachian Mountain Range stretches north through Eastern West Virginia. It is here the roots of this saga seared into minds, never to be forgotten. Two families, neighbors, one suffered from the other. Ones conscience does not always control actions. Many years pass, the vicious acts and rudeness are rekindled. One strikes out, pushing aside personal integrity and a nagging conscience. Nasty events happen with no clues. They continue shielded by non-recognition and trust. Pulsating love surfaces from different directions. Mind-boggling emotions are expressed. In the midst of unrestrained love, payback must be made. Real life axioms are dealt with. Past actions become part of ones future, inscribed on character, never to be changed. Revenge is taken with no thought of hurt to the initiator. Hard lessons abound. Ones life, actions and experiences offer rewards and consequences. These riveting characters will bring tears, smiles and laughter. They will push your mind and conscience to dwell on the highs and lows of living and love. Both can bring hurt and dire anguish.

Home of the helmet hairdo and congressional comb-over, Washington, D.C., is a hotbed of fashion faux pas. If anyone should know, it’s “Crimes of Fashion” columnist Lacey Smithsonian. She dishes out advice to the scandal-scorched and clothing-clueless, doing her part to change this town—one fashion victim at a time.... SHAWL TALE Washington, D.C., fashion reporter Lacey Smithsonian has always believed clothes can be magical, but she’s never thought they can be cursed. Until now. Lacey’s best friend, Stella, is finally getting married, and at her bachelorette party, fellow bridesmaid—and fortune-teller—Marie Largesse arrives with a stunning Russian shawl. A shawl, Marie warns, that can either bless or curse the wearer. When a party crasher who mocks the shawl is found dead the next day, the other guests fear the curse has been unleashed. But Lacey has her doubts, and she must employ all her Extra-Fashionary Perception to capture a villain who has vowed that nobody at this wedding will live happily ever after….

Tracy MacNish's deeply romantic sequel new novel reveals the untapped power of a woman's heart--and how fiercely she dares to protect it. . . Emeline's entire life is controlled by men. She's just been won in a wager by Jeffrey, the Duke of Eton, who keeps her under lock and key. And her cruel stepfather, Simon, wants nothing more than to dominate her entire future. What she wants is a man who'll set her free . . . and Rogan Mullen, heir to the dukedom, just may be the answer to her dreams . . . Rogan is more than eager to have Emeline in his care, but his urge to protect her grows into a yearning to possess her--body and soul. Surrendering completely to love, they cannot foresee that something very sinister threatens to destroy them, for Simon will stop at nothing to control his stepdaughter's fate . . . and only the most fervent passion can endure against such relentless odds . . . "A lushly written, richly detailed Georgian historical [that] pushes the boundaries of the genre."--Booklist

Loyalty to the community is the highest value in Native American cultures, argues Jace Weaver. In That the People Might Live, he explores a wide range of Native American literature from 1768 to the present, taking this sense of community as both a starting point and a lens. Weaver considers some of the best known Native American writers, such as Leslie Marmon Silko, Gerald Vizenor, and Vine Deloria, as well as many others who are receiving critical attention here for the first time. He contends that the single thing that most defines these authors' writings, and makes them deserving of study as a literature separate from the national literature of the United States, is their commitment to Native community and its survival. He terms this commitment "communitism"--a fusion of "community" and "activism." The Native American authors are engaged in an ongoing quest for community and write out of a passionate commitment to it. They write, literally, "that the People might live." Drawing upon the best Native and non-Native scholarship (including the emerging postcolonial discourse), as well as a close reading of the writings themselves, Weaver adds his own provocative insights to help readers to a richer understanding of these too often neglected texts. A scholar of religion, he also sets this literature in the context of Native cultures and religious traditions, and explores the tensions between these traditions and Christianity.

This reference work explores the images, symbols, motifs, metaphors, figures of speech, and literary patterns found in the Bible. With over 800 articles by over 100 expert contributors, this is an inviting, enlightening and indispensable companion to the reading, study, contemplation and enjoyment of the Bible.

"In the fall of 1889, she was employed as a domestic servant. She was a beautiful nineteen-year-old redhead of Irish extraction. On the morning of October 19th, her body was found floating face down in a shallow pond about a mile from her place of employment. Was it murder or suicide? Why would "politically connected" men allow themselves to be on the coroner's jury? Even more important, why were there only "connected" men on the jury? Why did the doctor who performed the autopsy insist that she drowned when there was no water found in her lungs? Why did the District Attorney assign the case to a local counsel rather than pursue the truth himself? Why did three successful male friends all commit suicide five years after her death? Was it coincidence, bad luck, or was it Maggie's revenge?"--Back cover.

Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil.