Rebecca Reed and Maria Monk may not be well-known authors today, but these women were publishing sensations in nineteenth-century America. Their lurid tales of life in two North American convents, one in Charlestown, Massachusetts, and the other in Montreal, Canada, sold more than one-half million copies. Reed escaped from the Ursuline convent in Charlestown in 1832. Her dramatic renditions of Roman Catholic ritual practice helped spark a night of violence that resulted in the convent being burned to the ground by an angry mob. Reed's published narrative, Six Months in a Convent, appeared just as the trials of the rioters were ending in 1835, and became an instant literary success. Monk's supporters capitalized on the lucrative market in anti-Catholic literature, by bringing out the pseudo-pornographic Awful Disclosures of the Hotel Dieu Nunnery in 1836. Monk, who claimed her infant daughter had been fathered by a Catholic priest, was in fact a Montreal prostitute rather than a nun. She enjoyed the life of a literary star in New York before her hoax was uncovered. These two narratives are now available for the first time in a single paperback edition. Nancy Lusignan Schultz's introduction provides a fascinating glimpse into the history, development, and marketing of these phenomenal best-sellers. The convent tales by Reed and Monk are classics that must be read by those interested in American studies, popular culture, social and religious history, literature, and women's studies.

Someone Didn't Want Her to Get Married... Written warnings made it clear that a trip to the altar could mean death for Mary Wilder. She quit planning her fairy-tale wedding to Washington, D.C.'s most eligible bachelor–long enough for her fiancé to hire tough guy Trace Armstrong.

Please be advised: Possible Trigger Warning Hi, I'm Alexis Delaney. I'm your average 17-year-old girl. Except I can see the dead. And talk to the dead and help them move on. So..okay, I'm not your average 17-year-old girl. Right now, the Veil is shut off, and the Way is closed. Which means the dead can't move on, so, they are camping out on my lawn. I'm trying to open the Way, juggle school and, well, deal with my feelings for two of my best friends. If that isn't enough, notes have been showing up in my locker since I got back from Christmas vacation. Things are getting creepier as time goes on. He's actually starting to scare me, to be honest. But with the guys, I'll be fine. They've got my back. No one is crazy enough to take on Zeke. Right?

Everyone is afraid of something... Madeleine Masterson is deathly afraid of bugs, especially spiders. Theodore Bartholomew is petrified of dying. Lulu Punchalower is scared of confined spaces. Garrison Feldman is terrified of deep water. With very few options left, the parents of these four twelve year-olds send them to the highly elusive and exclusive School of Fear to help them overcome their phobias. But when their peculiar teacher, Mrs. Wellington, and her unconventional teaching methods turn out to be more frightening than even their fears, the foursome realize that this just may be the scariest summer of their lives.

A mother and son recall a childhood of limited resources, tensions, and religiously advocated child abuse during the politically tempestuous '50s and '60s in Iran. Photos.

A beautiful werewolf and her ferocious protector face deadly enemies and dark desires in a supernatural romance by the New York Times bestselling author. Cassie is a werewolf prophet blessed with visions that portend the fate of the world. A rare and delicate creature, she must be protected at all costs. Enter Caine, a powerful cur turned pureblooded Were whose recent tangles with a demon lord have left him in serious need of redemption. Caine is duty-bound to keep Cassie out of danger—and that includes resisting his potent urge to seduce her. As Cassie's mysterious visions lead them in and out of danger, Caine becomes increasingly certain that he has found his true mate. Cassie is charmed and frightened by Caine's magnetism. But she can't afford to doubt Caine now. A deadly enemy bent on destruction is closer than they realize—and only they can keep chaos from ruling the world.

Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.