How to explain the mystery of fame? Many once well-known people who spent much of their lives at the core of historic events have fallen into oblivion since. The brilliant East Ukrainian poet and Soviet-era dissident Vasyl Stus (1938-85) became renowned only after his reburial in late Soviet Ukraine in 1989. What are the reasons for the widespread admiration for him in post-Soviet Ukrainian society? The exceptional beauty of his poetry? His stunning courage and selflessness as a Soviet dissident? The irreconcilability of his position as a human being? Or/and Vasyl Stus’ ability to feel the pain of others as his own? Trying to answer these and other questions, the poet’s son and literary scholar Dmytro Stus masterfully combines a cultural and biographical study with private recollections and observations of his father. The book offers a sometimes-paradoxical merger of genres mixing academic analysis with novelistic narration. It shows Vasyl Stus through the eyes of his son and researcher against the background of twentieth-century Ukrainian “belated” emergence as a nation-state. In 2007, the Ukrainian edition of this book won Ukraine’s prestigious Shevchenko National Prize.

The COURAGE Handbook ushers its reader into the world of the compellingly rich heritage of cultural opposition in Eastern Europe. It is intended primarily to further a subtle understanding of the complex and multifaceted nature of cultural opposition and its legacy from the perspective of the various collections held in public institutions or by private individuals across the region. Through its focus on material heritage, the handbook provides new perspectives on the history of dissent and cultural non-conformism in the former socialist countries of Central, Eastern, and Southeastern Europe. The volume is comprised of contributions by over 60 authors from a range of different academic and national backgrounds who share their insights into the topic. It offers focused discussions from comparative and transnational perspectives of the key themes and prevailing forms of opposition in the region, including non-conformist art, youth sub-cultures, intellectual dissent, religious groups, underground rock, avantgarde theater, exile, traditionalism, ethnic revivalism, censorship, and surveillance. The handbook provides its reader with a concise synthesis of the existing scholarship and suggests new avenues for further research.

Anastasia Lysyvets’s memoir Tell us about a happy life ... (Skazhy pro shchaslyve zhyttia ...), published in Kyiv in 2009 and now available for the first time in an English translation, is one of the most powerful testimonies of a victim of the Holodomor, the Great Famine of 1932–1933 in Ukraine. This mass starvation was organized by the Soviet regime and resulted in millions of deaths by hunger. The simple village teacher Lysyvets’s testimony, written during the 1970s and 1980s without hope of publication, depicts pain, death, and hunger as few others do. In his commentary, Vitalii Ogiienko explains how traumatic traces found their way into Lysyvets’s text. He proposes that the reader develops an alternative method of reading that replaces the usual ways of imagining with a focus on the body and that detects mechanisms of transmission of the original Holodomor experience through generations.