Professor Lal has provided an introduction on the history and aesthetic theory of Sanskrit drama, individual prefaces for each play, a phonetic guide to the pronunciation of the Indian names, and a selective bibliography.

In this highly original study of sexuality, desire, the body, and women, Liz Wilson investigates first-millennium Buddhist notions of spirituality. She argues that despite the marginal role women played in monastic life, they occupied a very conspicuous place in Buddhist hagiographic literature. In narratives used for the edification of Buddhist monks, women's bodies in decay (diseased, dying, and after death) served as a central object for meditation, inspiring spiritual growth through sexual abstention and repulsion in the immediate world. Taking up a set of universal concerns connected with the representation of women, Wilson displays the pervasiveness of androcentrism in Buddhist literature and practice. She also makes persuasive use of recent historical work on the religious lives of women in medieval Christianity, finding common ground in the role of miraculous afflictions. This lively and readable study brings provocative new tools and insights to the study of women in religious life.

The Rediscovery of Vedic and Ancient Bharat unfolds the profound roots of India's cultural heritage. Spanning from 1500 BCE to 1000 CE, this epoch witnessed a renaissance in Mathematics, Science, Astronomy, Yoga, Literature, and Architecture that resonates through the ages. Embark on a journey through the corridors of intellect, where luminaries like Aryabhata, Charaka and Patanjali carved indelible marks on the pages of time. Within the covers of this book, thirty chapters unveil the brilliance of Bharat's scholars, exploring the contributions of Pingala, Baudhayana, Varahamihira, Brahmagupta and others. Delve into the realms of Science, Yoga and Astronomy, where Aryabhatta, Varahamihira, and Sushruta stand as beacons of enlightenment. Literary marvels by Kalidasa, Shudraka, and Bhavabhuti, among others, paint a vivid canvas of ancient Bharat's literary grandeur. The final chapters stand as monuments to architectural splendors—the timeless Ajanta & Ellora Caves, the majestic Sanchi Stupa, and the awe-inspiring Pattadakal monuments. A treasure trove of knowledge, this work is a testament to the enduring legacy of India's intellectual and cultural brilliance, a legacy that continues to shape the nation's identity and resonate across time.

The 'Brihakatha', or Lord Shiva's narrative to his wife Parvati, is featured in Gunadhya's epic composition 'Katha Sarita Sagara' in Sanskrit. Somadeva's adaptation retains the storyline, with Lord Shiva substituting for Lord Kubera, the God of Wealth. C H Tawney, blending pure Hindu mythology with Buddhist and tantric beliefs, translated the story into English as The Ocean of a Story, which runs 12 volumes and includes footnotes. Shiva's Own Story is a condensed version of Tawney's work. The setting of the stories is India in the 10th and 11th centuries, when the country was composed of many small kingdoms and fiefdoms. There was no dearth of monarchs with dynastic ambitions. The king was usually advised by an intelligent and devoted Brahman minister. The heir apparent, the crown prince, had a circle of friends, mostly sons of the king's ministers, who became part of the cabinet when the prince became king. Intrigue was rife and matrimonial alliances were often a strategy to expand the kingdom. In a country where illiteracy is still formidable, storytelling is a means of promoting and propagating religious and moral culture.

The Present Volume Deals With The First Nine Hundred Years Of The Medieval Period Of Indian Literary History.A History Of Indian Literature Is An Account Of The Literary Activities Of The Indian People Carried Through In Many Languages And Under Different Social Conditions. It Is The Story Of A Multilingual Literature, A Plurality Of Linguistic Expressions And Cultural Experience And Also Of The Remarkable Unity Underlying Them.