From the bestselling author of The Sex Lives of Cannibals, the laugh-out-loud true story of his years on the islands of Vanuatu and Fiji, among cannibals, volcanoes . . . and the world’s best narcotics. With The Sex Lives of Cannibals, Maarten Troost established himself as one of the most engaging and original travel writers around. Getting Stoned with Savages again reveals his wry wit and infectious joy of discovery in a side-splittingly funny account of life in the farthest reaches of the world. After two grueling years on the island of Tarawa, battling feral dogs, machete-wielding neighbors, and a lack of beer on a daily basis, Maarten Troost was in no hurry to return to the South Pacific. But as time went on, he realized he felt remarkably out of place among the trappings of twenty-first-century America. When he found himself holding down a job—one that might possibly lead to a career—he knew it was time for he and his wife, Sylvia, to repack their bags and set off for parts unknown. Getting Stoned with Savages tells the hilarious story of Troost’s time on Vanuatu—a rugged cluster of islands where the natives gorge themselves on kava and are still known to “eat the man.” Falling into one amusing misadventure after another, Troost struggles against typhoons, earthquakes, and giant centipedes and soon finds himself swept up in the laid-back, clothing-optional lifestyle of the islanders. When Sylvia gets pregnant, they decamp for slightly-more-civilized Fiji, a fallen paradise where the local chiefs can be found watching rugby in the house next door. And as they contend with new parenthood in a country rife with prostitutes and government coups, their son begins to take quite naturally to island living—in complete contrast to his dad.

In Vanuatu, commoditization and revitalization of culture and the arts do not necessarily work against each other; both revolve around value formation and the authentication of things. This book investigates the meaning and value of (art) objects as commodities in differing states of transit and transition: in the local place, on the market, in the museum. It provides an ethnographic account of commoditization in a context of revitalization of culture and the arts in Vanuatu, and the issues this generates, such as authentication of actions and things, indigenized copyright, and kastom disputes over ownership and the nature of kastom itself.

Vanuatu is an archipelago consisting of 83 islands located in the South Pacific Ocean. The country is situated between Australia and Fiji and was formerly known as the New Hebrides. Vanuatu is made up of both volcanic and coral islands, which make it an attractive tourist destination. The nation gained independence from Britain and France in 1980 and it has a population of approximately 300,000 people. The official languages of Vanuatu are Bislama, English, and French, and the majority of the population is made up of indigenous Melanesian people. Vanuatu has a diverse culture and is renowned for its unique dances, music, and festivals. Vanuatu's economy is largely dependent on agriculture, fishing, and tourism. The country exports beef, cocoa, coffee, and kava, and its natural beauty, including pristine beaches and coral reefs, draws thousands of tourists every year. In addition, Vanuatu is known for its active volcano on the island of Tanna known as Mount Yasur. Due to its location in the Pacific Ring of Fire, Vanuatu is prone to natural disasters such as earthquakes and cyclones. Nevertheless, the country has made significant strides in recent years to improve its infrastructure and is gradually becoming more connected to the rest of the world.

Focusing on the small island of Paama, Vanuatu, and the capital, Port Vila, this book presents a rare and recent study of the ongoing significance of urbanisation and internal migration in the Global South. Based on longitudinal research undertaken in rural ‘home’ places, urban suburbs and informal settlements over thirty years, this book reveals the deep ambivalence of the outcome of migration, and argues that continuity in the fundamental organising principles of cultural life – in this case centred on kinship and an ‘island home’ – is significantly more important for urban and rural lives than the transformative impacts of migration and urbanisation.

Focusing on different forms of agency in North Ambrym social life, the author demonstrates the potency of outsiders at different times and in different situations in Ambrym society. This model challenges the premises of much Western thinking about reciprocity, and suggests new directions in the analysis of Melanesian societies

Originally published in German in 1923, this work records much of Vanuatu's early material culture. It is the result of two years of field work by Swiss anthropologist Felix Speiser between 1910 and 1912. Speiser attempted to collect everything that could still be obtained of the objects constituting Vanuatu's native culture. Ethnology of Vanuatu presents culturally and historically significant photographs and drawings by Speiser assembled during the expedition, along with color photos taken in the Basel Museum, which, taken together, represent the Speiser collection. Through the use of Speiser's collection of cultural photographs and illustrations, it has been possible to revive certain art forms thought to have already vanished.