Now no longer well known or clearly recognizable as a region, the Tulare Lake Basin also once supported the densest non-agricultural population in North America. This population, of Yokut Indians, caused little change to the wild oasis environment. Today, however, the Basin bears the rigid imprint of the past two centuries of technological progress, culminating in the complete domination of the land and landscape by large-scale, corporate farming. Natural landmarks and boundaries are subordinate to cultural creations, and the identity of the region has waned with its assimilation into the uniform landscape of international agribusiness and with the gradual demise of the lake itself. After describing the geological processes that created the lake and basin, William Preston considers the values, attitudes to the environment, and aims and technologies that have characterized successive stages of human habitation, leaving their mark upon the land. Using innovative research techniques, and with insight derived from extensive personal knowledge of Tulare and its environs, he reconstructs the physical and cultural realities of each technological period: the Yokut subsistence culture and its disruption by Spanish, Mexican, and American settlers; early sheepherding, cattle ranching, and agricultural experimentation; the arrival of the railroad and of bonanza wheat farming in the late nineteenth century; the small farms stil lin existence during his own youth in Tulare; and, finally, the corporate, "world" farms of today. Integrating ecological and historical perspectives, Preston describes the concrete effects of cultural change upon the land and the land's reciprocal impact upon culture. Rather than just the story of this region, we are given the case history of its physical transformation by forces that have shaped all the Central Valley and California's large urban centers as well. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

Landscapes will soon no longer exist the way we know them. Global warming melts the Antarctic ice, slash and burn reduces the forests, rivers die of industrial pollution, grassland gives way to cities as the human population grows. How do photographic artists respond? Do they glorify nature or is it their aim to enlighten the spectator?Vanishing Landscapes provides different viewpoints from twenty internationally renowned photographers including Robert Adams, Edward Burtynsky, Hiroshi Sugimoto, Joel Sternfield, and Thomas Struth, with short commentaries by the artists, and an introduction by John Berger. About 30 of the photographs were specially commisioned for this book.

This book takes readers on a leisurely journey through a bygone era with fascinating accounts of canals, corduroy roads, and turnpikes, waterwheels and icehouses, colorful road signs and their painters, circus folk, and more. Brimming with anecdotes about people and the times, this delightful narrative remains a milestone of Americana. 81 black-and-white illustrations.

In this book, O'Gorman treats both the people and the sheds with the respect and admiration their precarious presence requires."--BOOK JACKET.

“A rare historical insight into the tragic changes taking place in Palestine.” —Jimmy Carter From one of Palestine’s leading writers, a lyrical, elegiac account of one man’s wanderings through the landscape he loves—once pristine, now forever changed by settlements and walls—updated with a new afterword by the author. “I often come to walk in these hills,” I said to the man who was doing all the talking and seemed to be the commander. “In fact I was once here with my wife, it was 1999, and some of your soldiers shot at us.” “It was over on that side,” the soldier pointed out. “I was there,” he said, smiling. When Raja Shehadeh first started hill walking in Palestine, in the late 1970s, he was not aware that he was traveling through a vanishing landscape. In recent years, his hikes have become less than bucolic and sometimes downright dangerous. That is because his home is Ramallah, on the Palestinian West Bank, and the landscape he traverses is now the site of a tense standoff between his fellow Palestinians and settlers newly arrived from Israel. In this original and evocative book, we accompany Raja on six walks taken between 1978 and 2006. The earlier forays are peaceful affairs, allowing our guide to meditate at length on the character of his native land, a terrain of olive trees on terraced hillsides, luxuriant valleys carved by sacred springs, carpets of wild iris and hyacinth and ancient monasteries built more than a thousand years ago. Shehadeh's love for this magical place saturates his renderings of its history and topography. But latterly, as seemingly endless concrete is poured to build settlements and their surrounding walls, he finds the old trails are now impassable and the countryside he once traversed freely has become contested ground. He is harassed by Israeli border patrols, watches in terror as a young hiking companion picks up an unexploded missile and even, on one occasion when accompanied by his wife, comes under prolonged gunfire. Amid the many and varied tragedies of the Middle East, the loss of a simple pleasure such as the ability to roam the countryside at will may seem a minor matter. But in Palestinian Walks, Raja Shehadeh's elegy for his lost footpaths becomes a heartbreaking metaphor for the deprivations of an entire people estranged from their land.