From the bestselling author of Blue Bloods and Witches of East End comes a new novel that explores the battle between good and evil, in the city that never sleeps . . . Vamprires of Manhattan: The New Blue Bloods Coven You'll devour Melissa de la Cruz's hot new adult novel, in which her Blue Bloods immortals have matured and are now exposed to new challenges, new loves, new threats, and a haute, hot hipster lifestyle. It is ten years after the great War with Lucifer, and the Coven has rebuilt. Leader of the Fallen, Oliver Hazard-Perry, plans to celebrate this prosperity by throwing a 400 Year Ball-and all Blue Blood society will be there. And then, all hell breaks loose . . .

Have you ever wondered what secrets lurk behind the closed doors of New York City's wealthiest families? They're powerful, they're famous... they're undead. Schuyler Van Alen's blood legacy has just been called into question—is the young vampire in fact a Blue Blood, or is it the sinister Silver Blood that runs through her veins? As controversy swirls, Schuyler is left stranded in the Force household, trapped under the same roof as her cunning nemesis, Mimi Force, and her forbidden crush, Jack Force. When one of the Gates of Hell is breached by Silver Bloods in Rio de Janeiro, however, the Blue Bloods will need Schuyler on their side. The stakes are high; the battle is bloody; and through it all, Carnavale rages on. And in the end, one vampire's secret identity will be exposed in a revelation that shocks everyone.

Schuyler Van Alen is confused about what is happening to her. Her veins are starting to turn blue, and she's starting to crave raw meat. Soon, her world is thrust into an intricate maze of secret societies and bitter intrigue. Schuyler has never been a part of the trendy crowd at her prestigious New York private school. Now, all of a sudden, Jack Force, the most popular guy in school, is showing an interest in her. And when one of the popular girls is found dead, Schuyler and Jack are determined to get to the bottom of it. Schuyler wants to find out the secrets of the mysterious Blue Bloods. But is she putting herself in danger? Melissa de la Cruz's vampire mythology, set against the glitzy backdrop of New York City, is a juicy and intoxicating read.

Schuyler Van Alen is running out of time. The Dark Prince of Hell is storming the Gates of Paradise, intent on winning the heavenly throne for good. Will Bliss and the wolves she has recruited to join her win the battle for the vampires? Is Schuyler prepared to make the ultimate sacrifice? Love and vengeance, duty and and loyalty, life and death, are all at odds in the gripping, heartbreaking finale of the Blue Bloods series.

The Blue Bloods are back...more fanged and fabulous than ever. After defeating Lucifer and sacrificing the love of her life, Jack, Schuyler wakes up back in New York safe and sound. Only it's not quite the New York she knows, and she's not in her regular body. She looks different and feels different and so does everyone else. Schuyler soon discovers that in this world, her best friend has a different last name, her parents are both alive and well and one of them is an entirely different person, and the love of her life? Not so dead after all. The catch? Jack has no idea who she is. As it turns out, Schuyler is not in her New York. She's not even in her universe. This is an alternate reality. One where Lucifer is alive and well and acting as mayor of New York, Blue Bloods are luring humans to clinics to drain their blood, and Jack is Lucifer's right hand man. Just when she thinks all is lost, Schuyler is contacted by a familiar friend—the Silver Blood, Kingsley. The Kingsley from her world. He actually remembers the Schuyler she used to be! But he also has a theory, and it's one she doesn't like. That Schuyler was sent here to defeat Lucifer. Again. And that she's the only person in this universe or any universe that can defeat him.

Siblings Maddy, Lexie, and Hudson Livingstone, who are vampire-fruit bat hybrids, struggle to adjust to living as humans in New York City while maintaining their individual vampire strengths.

They called themselves "Vampires," "Dragons," and "Egyptian Kings." They were divided by race, ethnicity, and neighborhood boundaries, but united by common styles, slang, and codes of honor. They fought--and sometimes killed--to protect and expand their territories. In postwar New York, youth gangs were a colorful and controversial part of the urban landscape, made famous by West Side Story and infamous by the media. This is the first historical study to explore fully the culture of these gangs. Eric Schneider takes us into a world of switchblades and slums, zoot suits and bebop music to explain why youth gangs emerged, how they evolved, and why young men found membership and the violence it involved so attractive. Schneider begins by describing how postwar urban renewal, slum clearances, and ethnic migration pitted African-American, Puerto Rican, and Euro-American youths against each other in battles to dominate changing neighborhoods. But he argues that young men ultimately joined gangs less because of ethnicity than because membership and gang violence offered rare opportunities for adolescents alienated from school, work, or the family to win prestige, power, adulation from girls, and a masculine identity. In the course of the book, Schneider paints a rich and detailed portrait of everyday life in gangs, drawing on personal interviews with former members to re-create for us their language, music, clothing, and social mores. We learn what it meant to be a "down bopper" or a "jive stud," to "fish" with a beautiful "deb" to the sounds of the Jesters, and to wear gang sweaters, wildly colored zoot suits, or the "Ivy League look." He outlines the unwritten rules of gang behavior, the paths members followed to adulthood, and the effects of gang intervention programs, while also providing detailed analyses of such notorious gang-related crimes as the murders committed by the "Capeman," Salvador Agron. Schneider focuses on the years from 1940 to 1975, but takes us up to the present in his conclusion, showing how youth gangs are no longer social organizations but economic units tied to the underground economy. Written with a profound understanding of adolescent culture and the street life of New York, this is a powerful work of history and a compelling story for a general audience.