More classic tales from the original Warren era Vampirella series! A killer stalks the Wildwood cemetary

2019 is the Year of Vampirella, and Dynamite's not letting up! Celebrate 50 years of the red-hot Daughter of Draculon with a showcase of some of Vampi's best covers EVER. This collection of 20 big and beautiful Vampirella posters features the work of some of the greatest names in comics: Frank Cho, Alex Ross, Stanley "Artgerm" Lau, Adam Hughes, Joe Jusko, Joseph Michael Linsner, Joshua Middleton, J. Scott Campbell, Billy Tucci, and More! Made to show off, each poster is printed on heavy cardstock paper at 12"x16" and easily removed from the body of the book. Line your walls with one of comics' most bitingly beautiful heroines!

Captivating comics about fantastic females!

Celebrating 50 years of Vampirella! Dynamite continues to roll out amazing tributes to everyone's favorite babe with bite! This breathtaking tome reproduces countless already and soon-to-be classic portrayals of the Daughter of Drakulon on beau

Meet "Evily" the wildest, weirdest witch ever to cast a spell.

The definitive biography of the visionary publisher of Famous Monsters of Filmland, the magazine that inspired filmmakers Steven Spielberg, George Lucas, Joe Dante, and many more. This heavily illustrated biography features eye-opening ― often outrageous ―anecdotes about Warren, a larger-than-life figure whose ability as a publisher, promoter, and provocateur make him a fascinating figure. In addition to Forrest J. Ackerman’s Famous Monsters of Filmland, he published Help!, a magazine created by MAD’s Harvey Kurtzman, which featured early work by John Cleese, Gloria Steinem, Terry Gilliam, Robert Crumb, and Diane Arbus; Creepy and Eerie magazines, with covers by painter Frank Frazetta and comics art by Steve Ditko, Wallace Wood, Bernie Wrightson, Al Williamson, and many others. His most famous co-creation, the character Vampirella, debuted in her own magazine in 1969, and continues to be published today.

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.