There is more to appraising jewelry than just being parable sales and a value determination. Then, all this able to put a dollar value on an item. The title of ap information, with clear jewelry descriptions, must be praiser distinguishes the individual who is able to iden succinctly put together with photographs and deliv tify, witness, estimate status, excellence, or potential ered to the client. ity, and to determine the authenticity of an article. Today's jewelry appraiser should also be cognizant Many factors impact on a thorough appraisal, espe of the vicissitudes of fashion, how changes impact the cially on estate and period jewelry. jewelry market in a substantial and vital manner in both design and style. A careful look must be given to Developing all this expertise is a lot to ask of practi tioners who only a decade ago were barely making a study of color psychology with an awareness of why specific gemstones and their colors and enamels of cer distinction between a well-written sales receipt and a professional appraisal report. tain colors were used in different periods. Industrial In the past few years bold changes have taken place developments, from machine stamped jewelry, the use in this field. It is now understood that standard ap of aniline dyes in clothing, and development of the praisal concepts and principles can be applied to the electric light, have influenced design and use of gem stones.

This book is about the folklore surrounding many aspects of jewelry. The author says that in it will be found "an interesting galaxy of anecdote, research, and information upon a fascinating subject." The book is divided into ten chapters each dealing with a particular type of gem, or, its supposed powers and so on.

Dark was falling from a dull and humid sky, and the lamps were beginning to struggle for brightness in Piccadilly, when the opal of Carmalovitch was first put into my hand. The day had been a sorry one for business: no light, no sun, no stay of the downpour of penetrating mist which had been swept through the city by the driving south wind from the late dawn to the mock of sunset. I had sat in my private office for six long hours, and had not seen a customer. The umbrella-bearing throng which trod the street before my window hurried quickly through the mud and the slush, as people who had no leisure even to gaze upon precious stones they could not buy. I was going home, in fact, as the one sensible proceeding on such an afternoon, and had my hand upon the great safe to shut it, when the mirror above my desk showed me the reflection of a curious-looking man who had entered the outer shop, and stood already at the counter. At the first glance I judged that this man was no ordinary customer. His dress was altogether singular. He had a black coat covering him from his neck to his heels—a coat half-smothered in astrachan, and one which could have been made by no English tailor. But his hands were ungloved, and he wore a low hat, which might have been the hat of an office boy. I could see from the little window of my private room, which gives my eye command of the shop, that he had come on foot, and for lack of any umbrella was pitiably wet. Yet there was fine bearing about him, and he was clearly a man given to command, for my assistant mounted to my room with his name at the first bidding.

A popular description of their occurrence, value, history, archaeology and of the collections in which they exist, also a chapter on pearls and on remarkable foreign gems owned in the United States...