The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India’s great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with the quintessentially Indian ideas of karma (action) and dharma (duty).The book explores what it means to be human in a complex and demanding world, considering the parameters and contexts in which we make the decisions that will determine the color and tenor of our lives, the choices that make us who we are. It also offers a great, albeit tragic, love story—a story of the demands and pressures of love and how we might fail those that we love most. Accompanied by Sattar’s thoughtful essays weighing the moral complexity of this most enduring of epics, this translation crystallizes her deep and intimate knowledge of the Ramayana in a way that is utterly compelling.

Instead of being a tranquil denouement to a tale studded with dangerous adventure and emotional turbulence, Valmiki's Uttara Kanda is a shattering epilogue to a beloved story.Ravana has been defeated, and Rama and Sita have returned to Ayodhya. Rama is established on the throne that is rightfully his and spends his time listening to the stories that the sages tell him, which answer questions like: Why did Hanuman not know about his special powers? How is it that the mighty rakshasas were defeated by the monkeys? Why did Ravana never touch Sita when she was his prisoner? But these stories are punctuated by events such as the banishment of Sita and the killing of Shambuka.What is said and done in the Uttara Kanda forces us to reconsider the events of the Ramayana, urging us to read the epic through a new and disturbing lens.

One of India’s greatest epics, the Ramayana pervades the country’s moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BCE, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honor, of harem intrigue, petty jealousies, and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. With her magnificent translation and superb introduction, Arshia Sattar has successfully bridged both time and space to bring this ancient classic to modern English readers.

An epic fantasy based on the ancient Hindu classic finds young Rama, heir to the throne of Ayodhya, called upon by the legendary mage Vishwamitra when two powerful demons raise an army to defeat the human world. 20,000 first printing.

By the author of One Part Woman: “A haunting story of forbidden love set in Southern India that illustrates the cruel consequences of societal intolerance.” —Kirkus Reviews, starred review Saroja and Kumaresan are young and in love. After meeting in a small southern Indian town where Kumaresan works at a soda bottling shop, they quickly marry before returning to Kumaresan’s family village, where they hope to build a happy life together. But they are harboring a terrible secret: Saroja is from a different caste than Kumaresan, and if the villagers find out, they will both be in grave danger. Faced with venom from her mother-in-law and questions from her new neighbors, Saroja tries to adjust to a new lonely and uncomfortable life, while Kumaresan struggles to scrape together enough money for them to start over somewhere new. But in a world filled with thorns, their love may not be enough to keep them safe.

In a drastic re-evaluation of astronomy observations from Mahabharata, using high-tech tool of modern astronomy and low-tech tool of the logic of scientific discovery, Nilesh Oak's extraordinary book presents ordinary theory of astronomy observations that would lead to a quantum jump in our understanding of the Mahabharata War: How a theory based on single unifying idea corroborates 100+ astronomy observations Where to search for the year of the Mahabharata War - Epoch of 6500 years & Compact time interval of 3000 years How a single observation, previously known but unexplained, falsifies 96% of all proposals for the year of the Mahabharata War Why does it matter how long Bhishma was lying on the bed of arrows How ancient is the tradition of meticulous astronomy observations. Acceptance of his theory leads to surprising conclusions about our current understanding of world civilizations, domestication of horses, dating of Ramayana or Vedas and antiquity of meticulous astronomy observations. Rejection of his theory would compel us to search for the likes of Newton and Lagrange, among the Sages of India, at least thousand years before Sir Isaac Newton & Joseph-Louis Lagrange. Praise for 'When did the Mahabharata War Happen?: The Mystery of Arundhati' "You have done a great job. I requested astronomers to consider if Arundhati had gone ahead of Vasisth in 1971, when I published 'Swayambhu' . But nobody cared. You are the first to do the great job " - P V Vartak (Author of 'Swayambhu' & 'Wastav Ramayana')--- "Grueling and unfaltering logic"--- I have to thank you for being the cause for a quantum leap in my own knowledge of general astronomy as well as Hindu astronomy / calendrical systems over a very short span of time. In some ways the effect of your book has some parallels with Rajiv Malhotra's 'Being Different', though in a very different context. RM never intended his book as a primer on Dharma / Hinduism - but nevertheless it introduced many aspects of Dharma in a light which would be new even to a practitioner. Similarly, even though I am sure you never intended your book to act as an exploration of key astronomical principles and Vedic astronomy - that has definitely been a key side benefit, at least from my perspective.--- "Indology" has been populated by linguists and my respect for their work has gone down by several notches when I look at the shoddy assumptions many are prone to make. Science and rigor the way Nilesh Oak has used seems to be unknown to these Indologists. I bet that not one of those horse bone chewers can understand what Archeo-astronomy means. Their awareness extends to looking at Archeo-asses and saying it was not Equus caballus.--- I am simply 'natmastak' to Shri Oak for the amazing piece of deductive reasoning applied by him in interpreting the 'Arundhati is leading Vasistha' remark. I think Shri Oak is not only on sound footing but also has clearly exhibited every 'lakshan' of a true seeker of knowledge in the finest Indian traditions. I cannot recall if he mentioned whether anybody else (other than him) thought of the EOA approach. If he is the first one, he deserves billions of thanks from all the Bharatiyas in the last 7000+ years. Oak saheb, aamcha maanacha mujra sweekar karava hee vinanti.--- It is interesting how all Indologists the world over talk about linguistics and horse, but never mentions archaeoastronomy Perhaps the focus of the national and international debate on Aryan Invasion/Migration Theory needs to change.--- I do not want to sound obsequious, but the work you have done is nothing less than tremendous. Thank you, and keep it up.--- I have verified Nilesh Oak's elimination of "errors." A bow Excellent --- Your rigorous methodology was simply a pleasure to read and that got me started off on my efforts to dabble in archeoastronomy.