Third Law of the Valkyrie… Don’t Trigger Ragnarök. Too late. No one could have warned me what the end of the universe would look like. Valkyries have come back from the dead. Their undead army blots out the sky with wings and fire. Leading the charge are the echoes of Ragnarök that have split at the seams, introducing a terrifying wave of glittering black matter that devours anything it touches. The first law of the Valkyrie told me not to love. The second law warned me to listen to the gods and their wisdom. The third is simply a result of breaking the first two, and now it’s too late. The gods think all is lost, but they have underestimated the power of love. The only question left is where does my heart belong… and do I have the strength to find out?

Second Law of the Valkyrie… Don’t Question the Gods. Whelp, I broke another one. Questioning the gods is the least of my problems. Freya is about to flip her lid. Odin wants my man in his super army. And then there’s Heimdall, a gangster goddess with a gold grill for teeth who runs this swanky New York Restaurant (which also happens to be the Bifrost). We’ve escaped to New York, but evil seems to have followed us here. People are mysteriously dying and the echoes of Ragnarok haunt my dreams. The closer I get to Will and Tyler, the more I realize I can’t ignore my heart. I need to reclaim my memories and figure out who my heart belongs to… before I give it to the wrong one.

Third Law of the Valkyrie... Don't Trigger Ragnarök. Too late. No one could have warned me what the end of the universe would look like. Valkyries have come back from the dead. Their undead army blots out the sky with wings and fire. Leading the charge are the echoes of Ragnarök that have split at the seams, introducing a terrifying wave of glittering black matter that devours anything it touches. The first law of the Valkyrie told me not to love. The second law warned me to listen to the gods and their wisdom. The third is simply a result of breaking the first two, and now it's too late. The gods think all is lost, but they have underestimated the power of love. The only question left is where does my heart belong... and do I have the strength to find out? This is the epic conclusion of a complete series! Book 1: Valkyrie Landing October 16 Book 2: Valkyrie Rebellion October 30 Book 3: Valkyrie Uprising November 20 Content Warning: This is a clean closed-door romance with lots of shirtless guys. The end of the world has never been this intoxicating.

My sister blew our entire budget on a Porsche. I get it. Valkyries like to make their appearances in style, but I'm supposed to start my first day as a high school student with nothing to eat. All because my sister wanted a fancy ride. It doesn't matter if I'm really a Valkyrie on a mission to reap my first soul. None of my training prepared me for what life as a human teenager would really be like. Not the boys, the pool parties, or the dead bodies lining up in my wake. This was supposed to be a simple job. Befriend the hottest swimmer on the team. Become his girlfriend, and then take his soul straight to Valhalla. Except I can't do it. I can't take his life. I better become the Valkyrie my sister expects me to be, or I'll be forged into something entirely new. Forged is a YA Fantasy 3-book complete collection ready to binge read! This series includes a love triangle where she will pick one love interest by the end.

Welcome to Valkyrie High School... Time to Reap my First Soul The first law of the Valkyrie is "Don't fall in love." I messed that one up... big time. I failed my sisters and fell in love with William Johnson. I've watched him for three lifetimes and a little piece of me broke every time I had to let him die. I paid the price for breaking the first law of the Valkyrie. I lost all the memories I had of Will. That's why Sam is keeping tabs on me. She's an ever-present shadow during my time at Mattsfield High. Sam is the perfect Valkyrie. Tall. Beautiful. Heartless. I may not remember Will, but my heart does. If Freya thinks I’m going to be a good little Valkyrie this time around… she’s wrong. Valkyrie Landing is the first in the highly-acclaimed series “Valkyrie Allegiance.” Ideal for readers of strong heroines, urban fantasy themes, and a heavy dose of Norse Mythology (as well as a spaceship or two). You'll be blown away by this character-driven trilogy that'll take you all the way to Ragnarok, so hang on tight!

First Published in 2004. World War II, unlike World War I, was truly a global conflict, fought in every one of the five continents, from the Caribbean to the South China Sea, from New Guinea to the North Cape, and by combatants from every continental region, Latin America, the Balkans, Scandinavia, the Middle East, South Asia and Africa as well as from Europe and North America. It was also, as World War I had not been, a conflict of ideologies. Its dramatis personae was therefore of a peculiar richness, including not only soldiers and statesmen of orthodox background but three dictators of world stature—Hitler, Mussolini and Stalin, demagogues like Goebbels and ideologues like Alfred Rosenberg, politicians of charismatic power, like Franklin Delano Roosevelt, prophets of national renaissance, like Charles de Gaulle, and of national liberation like Mahatma Gandhi, showmen, mountebanks, martyrs, heroes, traitors and quislings—a word we owe to the politics of World War II. This book attempts to assemble the most important among this vast cast of characters, from every country and from every sphere of responsibility— or irresponsibility—and to convey not only the salient facts about the life and career of each but also the flavor of their individuality.

The sensual experience generated by the diegetic film allows the comprehension of the narrated event to frame the representation practiced in film. In a similar vein, the historiography of the historical diegetic film transmits its perspective of the historical event it represents to the audience through its sensual experience. Exploring the significance of mainstream film’s practice of historical representations, this book focuses on the shift of the historiography of World War II in Hollywood films. Adopting a comparative study, it discusses World War II films made during the Bush administration after 9/11 and those produced during the presidency campaign period of Obama.