"This catalogue was published on the occasion of the exhibition Valeska Soares: Any Moment Now, organized by Julie Joyce and Vanessa Davidson, and presented at the Santa Barbara Museum of Art, September 17-December 31, 2017, and the Phoenix Art Museum, March 24-July 15 2018."

This book discusses text and image relationships in the history of art from ancient times to the contemporary period across a diversity of cultures and geographic areas. Focusing on the use of words in art and words as art forms, thematic chapters include "Pictures in Words/Words in Pictures," "Word/Picture Puzzles," "Picture/Word Puzzles," "Words as Images," "The Power of the Word," and "Monumental and Moving Words." Chapter subsections further explore cross-cultural themes. Examining text and image relationships from the obvious to the elusive, the puzzling to the profound, the minor to the major, the book demonstrates the diverse ways in which images and writing have been combined through the ages, and explores the interplay between visual and written communication in a wide range of thought-provoking examples. A color insert is included. Instructors considering this book for use in a course may request an examination copy here.

Women, Business and the Law 2021 is the seventh in a series of annual studies measuring the laws and regulations that affect women’s economic opportunity in 190 economies. The project presents eight indicators structured around women’s interactions with the law as they move through their lives and careers: Mobility, Workplace, Pay, Marriage, Parenthood, Entrepreneurship, Assets, and Pension. This year’s report updates all indicators as of October 1, 2020 and builds evidence of the links between legal gender equality and women’s economic inclusion. By examining the economic decisions women make throughout their working lives, as well as the pace of reform over the past 50 years, Women, Business and the Law 2021 makes an important contribution to research and policy discussions about the state of women’s economic empowerment. Prepared during a global pandemic that threatens progress toward gender equality, this edition also includes important findings on government responses to COVID-19 and pilot research related to childcare and women’s access to justice.

A major group exhibition of ninety nine artists based in the United States, '99 Cents or Less' addresses Detroit?s ongoing economic crisis and its 2013 bankruptcy?the largest municipal bankruptcy filing in the history of the United States. Four years after a federal judge approved Detroit?s bankruptcy-exit plan the city?s financial present and future are still in flux. This exhibition is a reflection on the realities of a city that was once one of the country?s wealthiest and most diverse. Speaking to Detroit?s place as a global industrial powerhouse by using materials from 99 cent stores, '99 Cents or Less' hopes to make the connection between past, present, and future centers of production, and point to ways that artists can address how mass production has changed and will continue to change and evolve. As the consumer?s relationship with their everyday items has changed, so has the application and approach that artists take when incorporating these items in their work. 00Exhibition: Museum of Contemporary Art, Detroit, USA (19.05. - 06.08.2017).

The work of the highly original and influential artist Michael C. McMillen is reproduced in this retrospective book that presents his fascinating walk-through installations, films, paintings, and sculptures. Since the early 1970s artist Michael C. McMillen has been working to involve his audience directly with his installations. His most renowned works, such as Inner City, The Central Meridian (The Garage), The Pavilion of Rain, Train of Thought, and Red Trailer Motel, are dreamlike and often playfully sinister. Featuring architectural elements that transport the viewer into realms of metaphor and open narrative, these works effectively make the visitor an active participant in the artistic experience. This beautifully illustrated book, spanning more than thirty years of artmaking, features biographical and critical essays by leading curators, critics, and writers along with reproductions of his innovative works.

The World Bank Group’s Women, Business and the Law examines laws and regulations affecting women’s prospects as entrepreneurs and employees across 190 economies. Its goal is to inform policy discussions on how to remove legal restrictions on women and promote research on how to improve women’s economic inclusion.

Nightmare Fuel by Nina Nesseth is a pop-science look at fear, how and why horror films get under our skin, and why we keep coming back for more. Do you like scary movies? Have you ever wondered why? Nina Nesseth knows what scares you. She also knows why. In Nightmare Fuel, Nesseth explores the strange and often unexpected science of fear through the lenses of psychology and physiology. How do horror films get under our skin? What about them keeps us up at night, even days later? And why do we keep coming back for more? Horror films promise an experience: fear. From monsters that hide in plain sight to tension-building scores, every aspect of a horror film is crafted to make your skin crawl. But how exactly do filmmakers pull this off? The truth is, there’s more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time. With in-depth discussions and spotlight features of some of horror’s most popular films—from classics like The Exorcist to modern hits like Hereditary—and interviews with directors, film editors, composers, and horror academics, Nightmare Fuel is a deep dive into the science of fear, a celebration of the genre, and a survival guide for going to bed after the credits roll. “An invaluable resource, a history of the horror genre, a love letter to the scary movie—it belongs on any horror reader’s bookshelf.” —Lisa Kröger, Bram Stoker Award-winning author of Monster, She Wrote At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.