This work offers an account of the Russians' 400 years of experience in Siberia. Rasputin looks at the the peculiar physical and character traits of the Siberian Russian type, and at the gap between dreams and reality that have plagued Russians in Siberia.

A fine example of Village Prose from the post-Stalin era, Farewell to Matyora decries the loss of the Russian peasant culture to the impersonal, soulless march of progress. It is the final summer of the peasant village of Matyora. A dam will be completed in the fall, destroying the village. Although their departure is inevitable, the characters over when, and even whether, they should leave. A haunting story with a heartfelt theme, Farewell to Matyora is a passionate plea for humanity and an eloquent cry for a return to an organic life.

Kathleen Parth offers the first comprehensive examination of the controversial literary movement Russian Village Prose. From the 1950s to the decline of the movement in the 1970s, Valentin Rasputin, Fedor Abramov, and other writers drew on "luminous" memories of their rural childhoods to evoke a thousand-year-old pattern of life that was disappearing as they wrote. In their lyrical descriptions of a vanishing world, they expressed nostalgia for Russia's past and fears for the nation's future; they opposed collectivized agriculture, and fought to preserve traditional art and architecture and to protect the environment. Assessing the place of Village Prose in the newly revised canon of twentieth-century Russian literature, Parth maintains that these writers consciously ignored and undermined Socialist Realism, and created the most aesthetically coherent and ideologically important body of published writings to appear in the Soviet Union between Stalin's death and Gorbachev's ascendancy. In the 1970s, Village Prose was seen as moderately nationalist and conservative in spirit. After 1985, however, statements by several of its practitioners caused the movement to be reread as a possible stimulus for chauvinistic, anti-Semitic groups like Pamyat. This important development is treated here with a thorough discussion of all the political implications of these rural narratives. Nevertheless, the center of Parth's work remains her exploration of the parameters that constitute a "code of reading" for works of Village Prose. The appendixes contain a translation and analysis of a particularly fine example of Russian Village Prose--Aleksei Leonov's "Kondyr."

From Back Cover: Live and Remember is one of the most important works of Russian literature of the post-Stalin, pre-glasnost era. First published in Russian in 1974, it was immediately hailed by Soviet critics as a superb-if atypical-example of war literature and a moving depiction of the degradation and ultimate damnation of a frontline deserter-although it did provoke controversy for its sympathetic portrayal of the deserter's wife. But the novel has also attracted the attention of both Western and Soviet critics for it masterly psychological portrait of two characters caught in a hopeless situation. The novel tells the story of a Siberian peasant who makes a tragic miscalculation by deserting in the last year of the war, and the loyal wife who embraces his fate as her own. Rasputin examines the doomed relationship of these characters, sharply evoking the ties that bind individuals to their land, their community, their family. More than commentary on the nature of Soviet power or on the conduct of the war, Live and Remember is simultaneously a timeless tale with universal appeal and a very Russian story.

Offers a brief profile of the Russian writer, and gathers his stories and essays about life in modern Siberia