Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District. Michelle Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart.

Explores two major themes in Spanish historiography - the consequences of the expulsion of the Moriscos and the way in which the Habsburg Monarchy kept or lost control over its peripheral provinces.

The kingdom of Valencia was home to Christian Spain's largest Muslim population during the reign of the Catholic Monarchs, Fernando and Isabel. How did Muslim-Christian coexistence in Valencia remain relatively stable in this volatile period that saw the establishment of the Spanish Inquisition, the Expulsion of the Jews, the conquest of Granada, and the conversion of the Muslims of Granada and Castile? In explanation, Mark Meyerson achieves the first thorough analysis of Fernando and Isabel's policy toward both Muslims and Jews. His findings will stimulate much discussion among Hispanists, Arabists, and historians. Meyerson argues that the key to the persistence of Muslim-Christian coexistence in Valencia lies in the hitherto unexamined differences between the royal couple concerning matters of religion. More than a study of the minority policy of the Catholic Monarchs, however, The Muslims of Valencia is an exemplary analysis of the economic life of Valencia's Muslims and the complex institutional and social network that held them suspended "between coexistence and crusade." This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

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Winner of the 2018 Lexi Rudnitsky First Book Prize in Poetry A seasoned first collection of poems—personal and wry—that showcases an impressive poetic talent. In Ridiculous Light, Valencia Robin captures the everyday and the ecstatic in a voice all her own. Through poems that live at the intersection of history and experience, she captures the joys and tumult of being alive. She is a storyteller of the first order, a documenter not just of memories but of how we remember.

An analysis of contemporary violence as the new commodity of today's hyper-consumerist stage of capitalism. “Death has become the most profitable business in existence.” —from Gore Capitalism Written by the Tijuana activist intellectual Sayak Valencia, Gore Capitalism is a crucial essay that posits a decolonial, feminist philosophical approach to the outbreak of violence in Mexico and, more broadly, across the global regions of the Third World. Valencia argues that violence itself has become a product within hyper-consumerist neoliberal capitalism, and that tortured and mutilated bodies have become commodities to be traded and utilized for profit in an age of impunity and governmental austerity. In a lucid and transgressive voice, Valencia unravels the workings of the politics of death in the context of contemporary networks of hyper-consumption, the ups and downs of capital markets, drug trafficking, narcopower, and the impunity of the neoliberal state. She looks at the global rise of authoritarian governments, the erosion of civil society, the increasing violence against women, the deterioration of human rights, and the transformation of certain cities and regions into depopulated, ghostly settings for war. She offers a trenchant critique of masculinity and gender constructions in Mexico, linking their misogynist force to the booming trade in violence. This book is essential reading for anyone seeking to analyze the new landscapes of war. It provides novel categories that allow us to deconstruct what is happening, while proposing vital epistemological tools developed in the convulsive Third World border space of Tijuana.

Detective Max Cámara is under pressure. A renowned paella chef has been found dead; the town hall are set on demolishing El Cabanyal, the colourful fisherman's quarter on Valencia's sea-front; an abortionist has been kidnapped and with the Pope due to visit the city, the police are summoned to offer protection from crowds of the faithful and the danger of anti-religionists alike. When one of Cámara's long term adversaries is put in charge of the missing abortionist case, tensions are quickly running high, and with ominous cracks spreading across the walls of his flat, Cámara soon has nowhere to turn.