No one in Czech politics or culture could match the international stature of Václav Havel at the time of his death in 2011. In the years since his passing, his legacy has only grown, as developments in the Czech Republic and elsewhere around the world continue to show the importance of his work and writing against a range of political and social ills, from autocratic brutality to messianic populism. This book looks squarely at the heart of Havel’s legacy: the rich corpus of texts he left behind. It analyzes the meanings of key concepts in Havel’s core vocabulary: truth, power, civil society, home, appeal, indifference, hotspot, theatre, prison, and responsibility. Where do these concepts appear in Havel’s oeuvre? What part do they play in his larger intellectual project? How might we understand Havel’s focus on these concepts as a centerpiece of his contribution to contemporary thought? How does Havel’s particular perspective on the meaning of these concepts speak to us in the here and now? The ten contributors use a variety of methodological tools to examine the meaning of these concepts, drawing on a diversity of disciplines: political science and political philosophy, historical and cultural analysis, discourse/textual analysis, and linguistic-corpus analysis.

An astonishingly candid memoir from the acclaimed, dissident playwright elected President after the dramatic Czechoslovakian Velvet Revolution — one of the most respected political figures of our time. As writer and statesman, Václav Havel played an essential part in the profound changes that occurred in Central Europe in the last decades of the twentieth century. In this most intimate memoir, he writes about his transition from outspoken dissident and political prisoner to a player on the international stage in 1989 as newly elected president of Czechoslovakia after the ousting of the Soviet Union, and, in l993, as president of the newly formed Czech Republic. Havel gives full rein to his impassioned stance against the devastation wrought by communism, but the scope of his concern in this engrossing memoir extends far beyond the circumstances he faced in his own country. The book is full of anecdotes of his interactions with world figures: offering a peace pipe to Mikhail Gorbachev, meditating with the Dali Lama, confessing to Pope John Paul II and partying with Bill and Hilary Clinton. Havel shares his thoughts on the future of the European Union and the role of national identity in today’s world. He explains why he has come to change his mind about the war in Iraq, and he discusses the political and personal reverberations he faces because of his initial support of the invasion. He writes with equal intelligence and candour about subjects as diverse as the arrogance of western power politics, the death of his first wife and his own battle with lung cancer. Woven through are internal memos he wrote during his presidency that take us behind the scenes of the Prague Castle – the government’s seat of power – showing the internal workings of the office and revealing Havel’s mission to act as his country’s conscience, and even, at times, its chief social convenor. Written with characteristic eloquence, wit and well-honed irony combined with an unfailing sense of wonder at the course his life has taken, To the Castle and Back is a revelation of one of the most important political figures of our time.

Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 77, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period. Václav Havel’s essay provides the title for the book. It was read by all the contributors who in turn responded to the many questions which Havel raises about the potential power of the powerless. The essays explain the anti-democratic features and limits of Soviet-type totalitarian systems of power. They discuss such concepts as ideology, democracy, civil liberty, law and the state from a perspective which is radically different from that of people living in liberal western democracies. The authors also discuss the prospects for democratic change under totalitarian conditions. Steven Lukes’ introduction provides an invaluable political and historical context for these writings. The authors represent a very broad spectrum of democratic opinion, including liberal, conservative and socialist.

Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 77, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period. Václav Havel’s essay provides the title for the book. It was read by all the contributors who in turn responded to the many questions which Havel raises about the potential power of the powerless. The essays explain the anti-democratic features and limits of Soviet-type totalitarian systems of power. They discuss such concepts as ideology, democracy, civil liberty, law and the state from a perspective which is radically different from that of people living in liberal western democracies. The authors also discuss the prospects for democratic change under totalitarian conditions. Steven Lukes’ introduction provides an invaluable political and historical context for these writings. The authors represent a very broad spectrum of democratic opinion, including liberal, conservative and socialist.

The book considers Václav Havel’s body of writing as a cohesive whole offering a consistent political philosophy. This bold claim is backed up through a close examination of Havel’s plays, letters, essays and aphorisms. The political philosophy that a close reading of Havel reveals is a liberal one. However, Havel is not the run-of the-mill liberal having influences from the field of phenomenology, Masaryk, Husserl, Levinas Patočka and Heidegger which give him a nuanced view of the self. Havel sees the self as something always being formed. Hence for Havel man has an ability to ‘shake’ his current state and invite transcendence into his life. This agonistic process reveals our responsibility and liberates the self from forces which coerce behaviour.

The Memo is one of Vaclav Havel's most popular plays, and this new translation is by Havel's most prolific translator, Paul Wilson. An office has adopted a new official language, Ptydepe, in an attempt to make communication more scientific. But the new language may truly be a tool for power. Havel's play was able to slip by the Communist Czech censors in 1965, despite its veiled political commentary. Part of the Havel Collection, a series of new translations of the work of Vaclav Havel, from Theater 61 Press.