Perspectives on the voice and technology, from discussions of voice mail and podcasts to reflections on dance and sound poetry. Voice has returned to both theoretical and artistic agendas. In the digital era, techniques and technologies of voice have provoked insistent questioning of the distinction between the human voice and the voice of the machine, between genuine and synthetic affect, between the uniqueness of an individual voice and the social and cultural forces that shape it. This volume offers interdisciplinary perspectives on these topics from history, philosophy, cultural theory, film, dance, poetry, media arts, and computer games. Many chapters demonstrate Lewis Mumford's idea of the “cultural preparation” that precedes technological innovation—that socially important new technologies are foreshadowed in philosophy, the arts, and everyday pastimes. Chapters cover such technologies as voice mail, podcasting, and digital approximations of the human voice. A number of authors explore the performance, performativity, and authenticity [(or 'authenticity effect') of voice in dance, poetry, film, and media arts]; while others examine more immaterial concerns—the voice's often-invoked magical powers, the ghostliness of disembodied voices, and posthuman vocalization. [The chapters evoke an often paradoxical reassertion of the human in the use of voice in mainstream media including recorded music, films, and computer games. Contributors Mark Amerika, Isabelle Arvers, Giselle Beiguelman, Philip Brophy, Ross Gibson, Brandon LaBelle, Thomas Levin, Helen Macallan, Virginia Madsen, Meredith Morse, Norie Neumark, Andrew Plain, John Potts, Theresa M. Senft, Nermin Saybasili, Amanda Stewart, Axel Stockburger, Michael Taussig, Martin Thomas, Theo van Leeuwen, Mark Wood

The complete reference for understanding the Enochian language (“the language of the angels”), the proper pronunciation of the letters of the Enochian alphabet, and the use of evocations to call forth celestial beings and perform Enochian magic. In 1581, Dr. John Dee, an advisor in the court of Queen Elizabeth I, began a series of scrying experiments intended to explore the ability to contact the spirit world. With Edward Kelley acting as the medium in these experiments, Dee was able to record these communications as they were transmitted in Enochian, the language of the angels. Dr. Dee’s efforts furthered the development of the system of Enochian magic and his methods of invocation have been taken up and expounded upon by Aleister Crowley and many other magicians. Donald C. Laycock has thoroughly analyzed the work of Dee and Kelley. In this volume, he recounts the history of their experiments. He provides a pronunciation guide for the twenty-one letters, significant to untangling both the meaning and the derivation of the messages handed down from Dee and Kelley, and an essential Enochian/English and English/Enochian dictionary. The result is a fascinating linguistic and magical mystery story integral to any study of the Enochian tradition. This new edition of Laycock’s work includes a new preface by Stephen Skinner that sets the tone and historical context for today’s readers. Lon Milo DuQuette’s foreword gives a delightful and edifying description of how he and his students put The Complete Enochian Dictionary to the test with astonishing results. This book is a must-have for any serious magician’s library.

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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In The Fords: An American Epic, Peter Collier and David Horowitz tell the riveting story of three generations of Fords, a dramatic story of conflict between fathers and sons played out against the backdrop of America’s greatest industrial empire. The story begins with the first Henry Ford, the mechanical wizard, tinkerer and “mad genius” who drove the automobile into the heart of American life and conquered the world with it. An American Original, by the end of his life he had become an embittered crank who so possessively loved the company he built that when his son, Edsel, tried to change it to suit the changing times, Henry destroyed him. It was left to Edsel’s son Henry II to avenge him and save the Ford Motor Company in the postwar world. From the details of the first Henry’s illicit affair and illegitimate son, to the life and loves of “Hank the Deuce” and his celebrated feud with Lee Iacocca, this is an engrossing account of a vital chapter in American history. The authors have added new material to this classic work, showing how Henry II’s line lost out to the line of his brother William Clay Ford in the quest to control this most American of companies in the twenty-first century. In addition to The Fords, Peter Collier and David Horowitz are the authors of dynastic biographies of the Kennedys, Roosevelts, Rockefellers, and Fondas.

An astonishing novel that seizes the heart, and sets age-old conflicts against modern life. All the Living has the timeless quality of a parable, evoking a time and place with such beauty and power that it is unforgettable. It’s a hot, dry summer and a young woman travels to Kentucky with her lover, Orren, to the isolated tobacco farm he has inherited after his family dies in a terrible accident. As he works through the drought, Aloma struggles to find her way in a combative, erotically charged relationship with this taciturn man. Her growing friendship with a local charismatic preacher further complicates her sense of lonely dissatisfaction as she grapples with the eternal question of whether it is better to fight for freedom or submit to desire. Excerpt: At first she could see his figure only as a dark shape and the sun firing on the watch on his right arm as he turned the wheel. Then when he was finally before her, braking and leaning in slightly under the shade of the visor to pull the keys from the ignition, she found the broad contours of his face and the color of his skin, much browner than the last time she had seen him, the day after the funeral three weeks ago when he came down to the school and sat beside her and set a question to her. He said, You’ll come up? And she said, Yes, yes. And it don’t matter if it’s all out of order like it is? And she shook her head and took his blanched face in her hands and kissed him, and that had struck her later as an odd reversal, he usually being the one to reach out and pull her to him.