Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

I am. We are. That is enough. Now we have to start. These are the opening words of Ernst Bloch's first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation. The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch's Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of "disciplines." Yet there is hardly a "discipline" that didn't adopt, however unknowingly, some of Bloch's insights, and his provocative associations often proved more productive than the statistical account of social shifts. The first part of this philosophical meditation--which is also a narrative, an analysis, a rhapsody, and a manifesto--concerns a mode of "self-encounter" that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This "we-problem" is worked out by Bloch in terms of a philosophy of the history of music. The "self-encounter," however, has to be conceived as "self-invention," as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled "Karl Marx, Death and the Apocalypse." I am. We are. That's hardly anything. But enough to start.

Human beings universally dream of a better world. For centuries they have expressed their yearning for ways of life that are free from oppression, want and fear, through philosophy, art, film and literature. In this concise and engaging book, Mark Jendrysik examines the multifarious ways utopians have posed the question of how human beings might establish justice and realize truly human values. Drawing upon a range of sources, from Plato’s Republic and Thomas More’s Utopia to Ursula Le Guin’s The Dispossessed, he argues that, though for many utopia means ‘demanding the impossible’, the goals that seemed out of reach for one generation are often realized in the next. Nonetheless, he shows that, while utopian thought points toward our most noble aspirations, it also illustrates the dangers of totalitarianism, of the surveillance state and of global climate change. This engaging book will be an invaluable guide for anyone seeking to understand how, for good or ill, utopian aspirations shape our lives, even in times that seem designed to close off dreams of a better world.

Transcending Utopia is packed with both practical and spirit knowledge that focuses on enhancing your life through empowering divinely guided spiritual related teachings, inspiration, wisdom, guidance, and messages. The way to accelerate existence on Earth towards Utopia is if every person on the planet resided in their soul’s true nature, which is in a state of all love, joy, and peace. The ultimate Nirvana is surpassing that perfection through methods that a limited consciousness could ever dream possible. This is the exceptional glory your soul was born into before the dense turbulence of Earthly life enveloped and suffocated you. Transcending Utopia is to go beyond your limits and travel outside of the generic mundane materialistic achievement that human beings taught one another to thrive for. A utopian society is where everything is perfectly blissful on all levels according to the sanctified values you were born with. The sensations connected to how flawless everything feels in that moment reveals the authentic perfection you were made from. Utopia is the ideal paradise as imagined in one’s dreams that seems to be inaccessible by human standards. It is a state of mind that is possible to reach by adopting broader ways of looking at circumstances while being disciplined about how you conduct your life. Deep down every soul longs for that heavenly excellence of unabashed joy and serenity. It is the space where unwavering love and harmony envelop and lift you upwards into the almighty Divine. Transcending beyond the dull insensible frustrated Earthly life and into the natural condition the soul once habited is a goal that delights reminding you of where it came from. You search for a sign of this utopia through external means, only to be consistently left with disappointment. This is because utopia begins and ends inside the spark that burns within your spirit like a pilot light waiting to be ignited. Sections Included: Opening the Pathway to Divinity, Boundaries Enhance Your Vibration, Sensitivities Are a Gift From the Divine, Communicating with the Divine Brings in a Higher Love, Blocking Divine Guidance, Psychic Abilities Are Built Into All Souls, How Much Does Your Spirit Team Know?, Stomp Out the Fear and Master Ingenious Confidence, Balancing Healthy Selfishness and Selflessness, The Core Soul Groups and Soul Contracts, Healing and Transformation, The Process of Grieving From a Soul Level, Exhibiting Fearlessness, Philosophizing Boundless Infinite Guidance.

As read on BBC Radio 4's Book of the Week. Imagine you have survived an apocalypse. Civilization as you knew it is no more. What will life be like and how will you cope? In 2006, Dylan Evans set out to answer these questions. He left his job in a high-tech robotics lab, moved to the Scottish Highlands and founded a community called The Utopia Experiment. There, together with an eclectic assortment of volunteers, he tried to live out a scenario of global collapse, free from modern technology and comforts. Within a year, Evans found himself detained in a psychiatric hospital, shattered and depressed, trying to figure out what had gone wrong. In The Utopia Experiment he tells his own extraordinary story: his frenzied early enthusiasm for this unusual project, the many challenges of post-apocalyptic living, his descent into madness and his gradual recovery. In the process, he learns some hard lessons about himself and about life, and comes to see the modern world he abandoned in a new light. 'A gripping, slow-motion car crash. You can't take your eyes off it' Julian Baggini, Financial Times 'It radiates an intense intelligence and a candour that is never less than touching and, sometimes, downright heartrending' Daily Mail 'Extraordinary . . . both frightening and compelling' GQ

This book testifies to the growing interest in the many spaces of utopia. It intends to 'map out' on utopian and science-fiction discourses some of the new and revisionist models of spatial analysis applied in Literary and Cultural Studies in recent years. The aim of the volume is to side-step the established generic binary of utopia and dystopia or science fiction and thus to open the analysis of utopian literature to new lines of inquiry. The essays collected here propose to think of utopias not so much as fictional texts about future change and transformation but as vital elements in a cultural process through which social, spatial and subjective identities are formed. Utopias can thus be read as textual systems implying a distinct spatial and temporal dimension; as 'spatial practices' that tend to naturalize a cultural and social construction - that of the 'good life', the radically improved welfare state, the Christian paradise, the counter-society, etc. - and make that representation operational by interpellating their readers in some determinate relation to their givenness as sites of political and individual improvement. This volume is of interest for all scholars and students of literature who wish to explore the ways in which utopias of the past and recent present have circulated as media of cultural exchange and homogenization, as sites of cultural and linguistic appropriation and as foci for the spatial formation of national and regional identities in the English-speaking world.