Using and Not Using the Past after the Carolingian Empire offers a new take on European history from c.900 to c.1050, examining the ‘post-Carolingian’ period in its own right and presenting it as a time of creative experimentation with new forms of authority and legitimacy. In the late eighth century, the Frankish king Charlemagne put together a new empire. Less than a century later, that empire had collapsed. The story of Europe following the end of the Carolingian empire has often been presented as a tragedy: a time of turbulence and disintegration, out of which the new, recognisably medieval kingdoms of Europe emerged. This collection offers a different perspective. Taking a transnational approach, the authors contemplate the new social and political order that emerged in tenth- and eleventh-century Europe and examine how those shaping this new order saw themselves in relation to the past. Each chapter explores how the past was used creatively by actors in the regions of the former Carolingian Empire to search for political, legal and social legitimacy in a turbulent new political order. Advancing the debates on the uses of the past in the early Middle Ages and prompting reconsideration of the narratives that have traditionally dominated modern writing on this period, Using and Not Using the Past after the Carolingian Empire is ideal for students and scholars of tenth- and eleventh-century European history.

In This Modern Age: Medieval Studies in Honor of Paul Edward Dutton is a collection of fourteen essays by scholars of the Carolingian era specializing in history, art history, and literature. The volume is divided into five sections, which treat early medieval Latin literary and historiographical culture, images and objects, interpretations of natural phenomena, and the subject of nostalgia. Reflecting Dutton's pathbreaking work, the contributions all evince the great impact of his teaching and erudition over the past thirty years since the publication of his seminal books Carolingian Civilization: A Reader (1993), The Politics of Dreaming in the Carolingian Empire (1994), The Poetry and Paintings of the First Bible of Charles the Bald (with Herbert L. Kessler) (1997), Charlemagne's Courtier: The Complete Einhard (1998), Charlemagne's Mustache: And Other Cultural Clusters of a Dark Age (2004), together with his many influential articles. This body of highly distinctive, stimulating, and evocative scholarship has fundamentally transformed Carolingian studies, inspiring younger scholars to enter the field and encouraging established scholars to develop it in new directions. The essays in this volume individually pay tribute to Dutton in their illumination of diverse aspects of Carolingian intellectual, textual, and visual culture, with its famously idiosyncratic revival of Christian-Roman learning, aesthetics, and ideas. Gathered together, they offer an expression of gratitude for the risks that he took and the generosity that he has always shown.

The series of beautiful sacramentaries made at Saint-Amand in the later ninth century offer us unique insight into an early medieval scriptorium at work. These manuscripts contain principally the prayer texts for the celebration of the Mass, a ceremony which stood at the centre of monastic life in this period. They display how this largely neglected genre discloses creativity and initiative on the part of the monks of Saint-Amand, who re-organised and re-composed this especially versatile literature. They made their books uniquely comprehensive and full of insight into how the mass liturgy was re-made at a critical period in its development. This innovative study makes these sources accessible for the first time. In-depth study of script, decoration, and content enables a new appreciation of the context in which the deluxe Saint-Amand manuscripts were produced. It foregrounds ecclesiastical patronage, the political and intellectual dynamics at the waning of Carolingian power, and the intensive collaboration of scribes, artists, and liturgical composers, as well as the unique ways liturgical manuscripts can inform our understanding of medieval life and thought.

A comprehensive and accessible survey of the great Carolingian empire, which dominated western Europe in the eighth and ninth centuries.

This is a collection of influential and challenging essays by British medievalist Timothy Reuter, a perceptive and original thinker with extraordinary range who was equally at home in the Anglophone or German scholarly worlds. The book addresses three interconnected themes in the study of the history of the early and high Middle Ages. Firstly, historiography, the development of the modern study of the medieval past. How do our contemporary and inherited preconceptions and pre-occupations determine our view of history? Secondly, the importance of symbolic action and communication in the politics and polities of the Middle Ages. Finally, the need to avoid anachronism in our consideration of medieval politics. Throwing light both on modern mentalities and on the values and conduct of medieval people themselves, and containing articles, at time of publication, never previously been available in English, this book is essential reading for any serious scholar of medieval Europe.

Explains the rise in demand for papal judgments from the 4th century to the 13th century, and how these decretals were later understood.

The Merovingian centuries were a foundational period in the historical consciousness of western Europe. The memory of the first dynasty of Frankish kings, their origin myths, accomplishments, and failures were used by generations of chroniclers, propagandists, and historians to justify a wide range of social and political agendas. The process of curating and editing the source material gave rise to a recognisable 'Merovingian narrative' with three distinct phases: meteoric ascent, stasis, and decline. Already in the seventh-century Chronicle of Fredegar, this tripartite model was invoked by a Merovingian queen to prophesy the fate of her descendants. This expert commentary sets out to understand how the story of the Merovingians was shaped through a process of continuous historiographical adaptation. It examines authors from across a millennium of historical writing and analyses their influences and objectives, charting the often-unexpected ways in which their narratives were received and developed.