U.S. Camera
Title | U.S. Camera PDF eBook |
Author | |
Publisher | |
Pages | 1256 |
Release | 1963 |
Genre | Photography |
ISBN |
Camera
Title | Camera PDF eBook |
Author | |
Publisher | |
Pages | 744 |
Release | 1918 |
Genre | Photography |
ISBN |
U.S. Camera and Travel
Title | U.S. Camera and Travel PDF eBook |
Author | |
Publisher | |
Pages | 1190 |
Release | 1966 |
Genre | Photography |
ISBN |
U.S. Camera and Travel
Title | U.S. Camera and Travel PDF eBook |
Author | |
Publisher | |
Pages | 626 |
Release | 1970 |
Genre | Photography |
ISBN |
U.S. Camera Annual
Title | U.S. Camera Annual PDF eBook |
Author | Tom Maloney |
Publisher | |
Pages | 226 |
Release | 1930 |
Genre | Photography |
ISBN |
Chronicle of a Camera
Title | Chronicle of a Camera PDF eBook |
Author | Norris Pope |
Publisher | Univ. Press of Mississippi |
Pages | 204 |
Release | 2013-02-15 |
Genre | Performing Arts |
ISBN | 1617037419 |
This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available. Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression.
FLIGHT, CAMERA, ACTION! The History of U.S. Naval Aviation Photography and Photo-Reconnaissance
Title | FLIGHT, CAMERA, ACTION! The History of U.S. Naval Aviation Photography and Photo-Reconnaissance PDF eBook |
Author | Douglas E. Campbell |
Publisher | Lulu.com |
Pages | 639 |
Release | 2014-07-11 |
Genre | History |
ISBN | 130447173X |
The first U.S. Navy aerial photographs were taken in 1913 in support of fleet exercises off Guantanamo, Cuba. Following WWI, a Navy Photographic expedition went north, making the first aerial mapping photos of the Alaskan territory. WWII found Navy shuttermen in the Pacific theatre, performing pre- and post-attack reconnaissance, along with "hitting the beach" to record the war as it unfolded. Shortly after, Navy photographic units were in the Pacific to record early atomic bomb tests. The Navy's aerial photo reconnaissance mission, both at the front end with the weaponless aircrews and the output of thousands of images and photo interpretation, continued to develop through the mid-20th century. The last aerial photo plane in the Navy's inventory was retired after flying to the Smithsonian's Air and Space Museum Annex at Dulles International Airport in Fairfax County, Virginia. The 74 year odyssey of Navy and Marine Corps aerial reconnaissance photography was finished.