The third novel in Serena Valentino's (Fairest of All, Beast Within) "VILLAINS" trilogy, featuring the story of the Little Mermaid from the perspective of the sea witch Ursula

When Dr. Elizabeth Cowrie shows up in Salem, Massachusetts, to study the witch trials, Hazel and her best friend, Roxy, are both instantly attracted to the workaholic professor. Roxy snags a date with Elizabeth first, but when their chemistry fizzles out, Hazel sees an opportunity to pursue Elizabeth herself—until she realizes Elizabeth is avowedly anti-magic. That’s definitely a problem since Hazel is a bona fide witch: rides a broom, has a black cat, brews love potions, lives in a haunted house, and has a vampire ex-girlfriend. Roxy is the only person who knows the truth, and Hazel has gotten used to hiding who she is, but she can’t live a lie with the person she loves most. Can Hazel give up magic to make it work with Elizabeth? Or will she give up on the love of her life instead?

She trusted her immense intuition and generous heart--and published the most. Ursula Nordstrom, director of Harper's Department of Books for Boys and Girls from 1940 to 1973, was arguably the single most creative force for innovation in children's book publishing in the United States during the twentieth century. Considered an editor of maverick temperament and taste, her unorthodox vision helped create such classics as Goodnight Moon, Charlotte's Web, Where the Wild Things Are, Harold and the Purple Crayon, and The Giving Tree. Leonard S. Marcus has culled an exceptional collection of letters from the HarperCollins archives. The letters included here are representative of the brilliant correspondence that was instrumental in the creation of some of the most beloved books in the world today. Full of wit and humor, they are immensely entertaining, thought-provoking, and moving in their revelation of the devotion and high-voltage intellect of an incomparably gifted editor, mentor, and publishing visionary.Ursula Nordstrom, director of Harper’s Department of Books for Boys and Girls from 1940 to 1973, was arguably the single most creative force for innovation in children’s book publishing in the United States during the twentieth century. Considered an editor of maverick temperament and taste, her unorthodox vision helped create such classics as Goodnight Moon, Charlotte’s Web, Where the Wild Things Are, Harold and the Purple Crayon, and The Giving Tree. Leonard S. Marcus has culled an exceptional collection of letters from the HarperCollins archives. The letters included here are representative of the brilliant correspondence that was instrumental in the creation of some of the most beloved books in the world today. Full of wit and humor, they are immensely entertaining, thought-provoking, and moving in their revelation of the devotion and high-voltage intellect of an incomparably gifted editor, mentor, and publishing visionary.

In the fast-paced, sexy, and very scary literary thriller Ursula Lake, a husband and wife trying to save their marriage and a rock musician trying to get his career back on track find big trouble, natural and possibly supernatural, in the spellbinding wilds of British Columbia.

In Michigan's Upper Peninsula, a dangerous rescue effort draws the ears and eyes of the entire country. A two-and-a-half-year-old girl has fallen down a mine shaft—"the only sound is an astonished tiny intake of breath from Ursula as she goes down, like a penny into the slot of a bank, disappeared, gone." It is as if all hope for life on the planet is bound up in the rescue of this little girl, the first and only child of a young woman of Finnish extraction and her Chinese-American husband. One TV viewer following the action notes that the Wong family lives in a decrepit mobile home and wonders why all this time and money is being "wasted on that half-breed trailer-trash kid." In response, the novel takes a breathtaking leap back in time to visit Ursula's most remarkable ancestors: a third-century-B.C. Chinese alchemist; an orphaned playmate of a seventeenth-century Swedish queen; Professor Alabaster Wong, a Chautauqua troupe lecturer (on exotic Chinese topics) traveling the Midwest at the end of the nineteenth century; her great-great-grandfather Jake Maki, who died at twenty-nine in a Michigan iron mine cave-in; and others whose richness and history are contained in the induplicable DNA of just one person—little Ursula Wong. Ursula's story echoes those of her ancestors, many of whom so narrowly escaped not being born that her very existence—like ours—comes to seem a miracle. Ambitious and accomplished, Ursula, Under is, most of all, wonderfully entertaining—a daring saga of culture, history, and heredity.

Ursula K. Le Guin discusses her fiction, nonfiction, and poetry?both her process and her philosophy?with all the wisdom, profundity, and rigor we expect from one of the great writers of the last century. When the New York Times referred to Ursula K. Le Guin as America’s greatest writer of science fiction, they just might have undersold her legacy. It’s hard to look at her vast body of work?novels and stories across multiple genres, poems, translations, essays, speeches, and criticism?and see anything but one of our greatest writers, period. In a series of interviews with David Naimon (Between the Covers), Le Guin discusses craft, aesthetics, and philosophy in her fiction, poetry, and nonfiction respectively. The discussions provide ample advice and guidance for writers of every level, but also give Le Guin a chance to to sound off on some of her favorite subjects: the genre wars, the patriarchy, the natural world, and what, in her opinion, makes for great writing. With excerpts from her own books and those that she looked to for inspiration, this volume is a treat for Le Guin’s longtime readers, a perfect introduction for those first approaching her writing, and a tribute to her incredible life and work.

In just a few heartbreaking days, Lexy Shaw's world has fallen apart. After her mother is killed in a tragic hit-and-run, her mother's childhood guardian, Ursula, also dies suddenly, leaving everything to Lexy. But as Lexy reads through Ursula's hidden papers, what she discovers raises doubts about her own identity and if she really is now all alone in the world. Desperate to find out if she has any surviving family, Lexy travels to Africa hoping she can unravel the mystery she's now tormented by, only to find that she's stumbled into a past full of lies and deceit and that her life is in grave danger. Winner of the Sunday Mail Fiction Competition 2014 "Part detective thriller, part emotional journey, Ursula's Secret is a highly enjoyable and intelligent adventure that will appeal to fans of Kate Atkinson and Maggie O'Farrell. A very promising debut." SOPHIE COOKE, author of The Glass House "Lovely straightforward and absorbing story telling of complex lives and a secret that spans decades and continents." ISLA DEWAR, author of Dancing in a Distant Place "The complex story accelerates to a dramatic denouement that leaves Lexy enlightened and chastened, and on the verge of a new phase in her life, and leaves the reader wholly satisfied with Wilson's adept, sympathetic and colourful storytelling." MORAG JOSS, award-winning author of the Sara Selkirk novels 'Ursula's Secret is packed full of tension, questions, problems, secrecy and intrigue right until the concluding chapter.' EMMA CROWLEY, Shaz's Book Blog 'This book is filled with twist after twist, secret after secret which will keep you guessing right to the end.' PORTOBELLO BOOK BLOG 'I was completely captured from the beginning of Ursula's Secret, enveloped in the mystery and memories of Ursula and the beauty of her home. With it's 'smiling' staircase and Lexy's obvious wonder I was lost to the tale and it's descriptive content... I loved this read.' **** TRACY SHEPHARD, Postcard Reviews Blog