While the so-called "New perspective in Paul" has been in the focus of New Testament exegesis for more than 25 years now, ancient interpretations of Pauline texts and ideas have been neglected widely. The present volume aims to fill this gap. Its articles concentrate on three different foci of modern exegesis: interpretations of Paul's conversion, his ideas about the relation of "grace" and "works" and the fate of Israel. Several additional articles contrast these ancient perspectives with answers of modern exegesis.

As a social history of the liturgical movement, "Unread Vision" introduces readers to the movement's pioneers and promoters and to the issues that emerged from 1926-1955. "Unread Vision" explores the foundational years and their major themes and discusses how the movement's goals and principles were received by the broader community of American Catholics.

W. G. Sebald's writing has been widely recognized for its intense, nuanced engagement with the Holocaust, the Allied bombing of Germany in WWII, and other episodes of violence throughout history. Through his inventive use of narrative form and juxtaposition of image and text, Sebald's work has offered readers new ways to think about remembering and representing trauma. In Sebald's Vision, Carol Jacobs examines the author's prose, novels, and poems, illuminating the ethical and aesthetic questions that shaped his remarkable oeuvre. Through the trope of "vision," Jacobs explores aspects of Sebald's writing and the way the author's indirect depiction of events highlights the ethical imperative of representing history while at the same time calling into question the possibility of such representation. Jacobs's lucid readings of Sebald's work also consider his famous juxtaposition of images and use of citations to explain his interest in the vagaries of perception. Isolating different ideas of vision in some of his most noted works, including Rings of Saturn, Austerlitz, and After Nature, as well as in Sebald's interviews, poetry, art criticism, and his lecture Air War and Literature, Jacobs introduces new perspectives for understanding the distinctiveness of Sebald's work and its profound moral implications.

This book uncovers the early Jewish, Scottish, and Stuart sources of "ancient" Cabalistic Freemasonry. Drawing on architectural, technological, political, and religious documents, it provides the historical context for Masonic traditions of visionary Temple building and mystical fraternity.

Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology. The work of the groundbreaking writers and artists of German Romanticism -- including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge -- followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the Romantics abandoned the binary distinction between the palpable outer world and the ungraspable space of the mind's eye and were therefore compelled to develop new terms for understanding the distinction between "internal" and "external." In this light, Brad Prager urges a reassessment of some of Romanticism's major oppositional tropes, contending that binaries such as "self and other," "symbol and allegory," and "light and dark," should be understood as alternatives to Lessing's distinction between interior and exterior worlds. Prager thus crosses the boundaries between philosophy, literature, and art history to explore German Romantic writing about visual experience, examining the interplay of text and image in the formulation of Romantic epistemology. Brad Prager is Associate Professor of Germanat the University of Missouri, Columbia.

Echoes of Aquinas in Cusanus’s Vision of Man demonstrates the influence that the philosophical and theological anthropology of Saint Thomas Aquinas had on Nicholas of Cusa’s (Cusanus) view of human nature. Markus Führer demonstrates that Cusanus's view of the place of man in the universe is remarkably similar to the view of Aquinas. Führer thereby challenges the prevailing opinion that Cusanus was a Renaissance philosopher dedicated to the philosophy of man and that he was one of the founders of Renaissance humanism. A close examination of the texts of both Aquinas and Cusanus, when compared to some of the leading Renaissance writers, indicates that it is not entirely true that Cusanus was Renaissance in his analysis of the human condition. Because Cusanus’s copies of some of the works of Aquinas are still intact and his marginal comments in these manuscripts indicate not only that he read Aquinas carefully, but also actually reacted to texts in Aquinas, it is possible to conduct a study of Cusanus’s use of Aquinas based directly on the text of Aquinas. Führer also explores similarities by studying the formulae that both writers used in expressing their respective positions. This book, with its unique examination of the impact of Aquinas’s thought upon Cusanus, will appeal to students and scholars of late medieval theology and philosophy.