Publisher Description

(Vocal Selections). 14 vocal selections from the Broadway sensation that earned 3 Tony Awards in 2002. Songs include: Act One Finale * Don't Be the Bunny * Follow Your Heart * I See a River * It's a Privilege to Pee * Look at the Sky * Mister Cladwell * Run, Freedom, Run! * Tell Her I Love Her * Urinetown * We're Not Sorry * We're Not Sorry - Reprise * What Is Urinetown? * Why Did I Listen to That Man? Includes 7 full-color pages with production photos.

THE STORY: On a struggling pig farm somewhere in America, Tom and Tina (with the help of Tim, their hired hand) fight to hold onto everything they own--namely, a herd of fifteen thousand restless pigs. Dumping sludge into the river has driven Tom to

Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.

THE STORY: Santa Claus is tired of the lies. Like the gods of old, he, too, has his mortal mistresses. This Christmas Eve he will bring Mary, his favorite earthly consort, and Luke and Freya, their illegitimate, semi-divine children, back to his No

Four-time Tony Award-winning author Terrence McNally returns with a powerful new play about how far one will go for one's love of the theater. In a small upstate New York town, Lou, a speech and drama teacher, and Jessie, a dog groomer at The Dapper Dog, bring joy to their community through running an amateur theater company. They become obsessed with buying a derelict movie theater and turning it into Captain Lou and Miss Jessie's Magic Theater for Children of All Ages. The only obstacle in reaching their dream is Annabelle Willard -- a terminally ill and manipulative widow who owns half the town. Will these naive dreamers be able to grasp the brass ring, and at what cost?

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.