Urban dingo: the art and life of Lin Onus, 1948-1996 : catalogue of exhibition at Queensland Art Gallery.

Life of artist Lin Onus, includes biographical details, his development as an artist, discussion of his paintings, his relationship with Cummeragunga and Barmah Forest and his relationships with other artists.

People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other? Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another. Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.

Are Alyzon’s new abilities a blessing . . . or a curse? Alyzon Whitestarr doesn't take after her musically talented father or her nocturnal, artistic mother. In fact, she’s the most normal member of a very eccentric family . . . until the day that an accident leaves her more unique than she ever could have dreamed. Suddenly colors are more vibrant to Alyzon; her memory is flawless; but strangest of all is Alyzon’s sense of smell. Her best friend smells of a comforting sea breeze. She registers her father’s contentment as the sweet scent of caramelized sugar. But why does the cutest guy in school smell so rancid? With Alyzon’s extrasensory perception comes intrigue and danger, as she becomes aware of the dark secrets and hidden ambitions that threaten her family. In the end, being different might be less of a blessing than a curse. . . .

Review of the exhibition 'Urban Dingo: the art of Lin Onus' at the Sydney Museum of Contemporary Art; work 'praised for technical finesse and bold marriage of Indigenous and western styles'