Originally published: London: Faber & Faber, 1931.

Just after midnight on 22 April 1916 on the Western Front, a sergeant from the 15th (1st London) Royal Welsh Fusiliers came sliding and stumbling along the dark, mud-filled trench towards the four men, huddled together and soaked-through, in the shallow dugout. He was clutching his postbag in which there were four parcels for one of them, William McCrae, whose twentieth birthday fell on this day. A hand-written account by William, my grandfather, was found in my mother’s papers, long after his death. This book describes a year of his time fighting in the First World War, from December 1915 to December 1916. Two months after his birthday, he was marching towards the Somme, where he was to act as a runner during the key Welsh engagement in the Battle of Mametz Wood. Later, he went on to volunteer and train as a sniper. He continued in this role for over a year, becoming a lance corporal in the 38th Divisional Sniping Company while fighting on the Ypres Salient. His words emphasise the key role snipers played in the collecting of intelligence about the enemy, through close observation and careful reporting. His account stops abruptly in mid-sentence, just at the point where he indicates he is about to reveal more to us about ‘a new, interesting part of the line to be manned by us Snipers’. Piecing together clues from his sketches, maps and photos, and this book paints a picture of Williams’ time during the rest of the war. In 1917 he returned to England to train as a temporary officer in the 18th Officer Cadet Battalion at Prior Park, Bath. He came back to the Western Front as a 2nd Lieutenant in the Duke of Wellington’s (West Riding) Regiment, where he was seconded to the 1/5 Lancashire Fusiliers until the end of the war. During this time, it is likely that his interest and experience as a sniper continued, with evidence that he may have taught at one of the Sniping Schools set up across France.

It takes a different view of the history of Wales, examining a panorama of different emotions and experiences – laughter, happiness, fear, anger, adventure, lust, loneliness, anxiety – to give an entertaining and exciting new history to Wales. a wide range of sources are used to present the ambitions and anxieties which drove and destroyed Welsh people The book’s literary style and the fact that it follows earlier successful studies by the author should ensure an audience.

Previous works have concentrated on the 'Pal' in Britain's northern towns and cities. This book seeks to explore the little appreciated part in the Battle of the Somme played by the Regular and Volunteer Service battalions of two small West Country regiments; the Devonshire Regiment and the Dorset Regiment. These two regiments had five battalions in action on the first day of the battle and were represented in most of the significant attacks during the three and half months of the 1916. The reader will be able to form a clear picture of the battle's development as a whole through the eyes of Westcountry soldiers who fought on the Somme.

'"For years afterwards the farmers found them - the wasted young, turning up under their plough blades." So run the blunt, grimly beautiful opening lines of the Welsh poet Owen Sheers's elegy for the men, 4,000 of them from the 38th (Welsh) Division, who were killed or wounded in the Battle of Mametz Wood in July 1916. Sheers revisits that chapter of carnage in a stirring, sprawling promenade show. He draws on the writings of two survivors in particular. One is the poet David Jones whose fractured, enervated, modernist response to his war-time experiences, In Parenthesis, was hailed as a "work of genius" by TS Eliot. The other key influence is the writer Llewelyn Wyn Griffith. driven to wondering how the sun "could shine on this mad cruelty and on the quiet peace of an upland tarn near Snowdon"... We end up in dark woods and a place of numb desolation, bombarded by words that pierce the heart and vignettes that capture the stomach-churning sacrifice. The finest commemoration of the First World War centenary I've seen to-date, this deserves a much longer life.' Dominic Cavendish, Daily Telegraph Mametz by Owen Sheers was premiered by National Theatre Wales in June 2014. It is one of the set plays on WJEC's A level Drama specification. This dual edition combines the original English-language play with a Welsh-language translation by Ceri Wyn Jones, one of Wales's most eminent poets.

This work is a new interpretation of the First World War battle for Mametz Wood in July 1916, telling the story of those terrible days from the viewpoint of soldiers on both sides. It uses primary sources, including personal accounts and photographs which are published for the first time.