Letters to her sister about the author's travel in Colorado, autumn and early winter 1873.

"Gripping story""This is one of those stories that grab your attention and holds it right to the very end." - Amazon Reviewer In 1873, James Nugent, better known as Rocky Mountain Jim, is a hunter and trapper in Estes Park, a settlement just forming in the Colorado Territory. Scarred not only physically from a vicious grizzly bear attack, but emotionally from previous war experiences, he now lives alone in his cabin. When strong-willed Englishwoman, Isabella Bird, visits the area, and Jim acts as her guide in a treacherous ascent up Longs Peak Mountain, an unlikely but undeniable attraction develops between them. Complicating Jim's life further is powerful Lord Dunraven, who schemes to turn the region into his own private game preserve. Jim struggles to keep Estes Park safe from Dunraven's greed while fighting for a commitment from Isabella.

Brochure includes information on Rocky Mountain Parks Transportation Company tours through the Park.

Since the Pikes Peak gold rush in the mid-nineteenth century, women have gone into the mountains of Colorado to hike, climb, ski, homestead, botanize, act as guides, practice medicine, and meet a variety of other challenges, whether for sport or for livelihood. Janet Robertson recounts their exploits in a lively, well-illustrated book that measures up to its title, The Magnificent Mountain Women. Arlene Blum provides a new introduction to this edition.

Speaking Ill of the Dead: Jerks in Colorado History features 17 short biographies of notorious bad guys, perpetrators of mischief, visionary if misunderstood thinkers, and other colorful antiheroes from the history of the Centennial State.

History—natural history, human history, and personal history—and place are the cornerstones of The Eye of the Mammoth. Stephen Harrigan's career has taken him from the Alaska Highway to the Chihuahuan Desert, from the casinos of Monaco to his ancestors' village in the Czech Republic. And now, in this new edition, he movingly recounts in "Off Course" a quest to learn all he can about his father, who died in a plane crash six months before he was born. Harrigan's deceptively straightforward voice belies an intense curiosity about things that, by his own admission, may be "unknowable." Certainly, we are limited in what we can know about the inner life of George Washington, the last days of Davy Crockett, the motives of a caged tiger, or a father we never met, but Harrigan's gift—a gift that has also made him an award-winning novelist—is to bring readers closer to such things, to make them less remote, just as a cave painting in the title essay eerily transmits the living stare of a long-extinct mammoth.