Up Against the Wall: Art, Activism, and the AIDS Poster offers nearly 200 examples of visually arresting and socially meaningful posters, taken from more than 8,000 held in the collection in the University of Rochester's River Campus Libraries' Department of Rare Books, Special Collections, and Preservation. The collection, one of the largest of its kind in the world, was donated to the University of Rochester by Dr. Edward Atwater. The book accompanies an exhibition of AIDS education posters displayed at the Memorial Art Gallery of the University of Rochester, Rochester, NY.The posters, spanning the years from 1982 to the present, show how social, religious, civic, and public health agencies have addressed the controversial, often contested terrain of the HIV/AIDS pandemic within the public realm. Organizations and creators tailored their messages to audiences, both broad and very specific, and used a wide array of strategies, employing humor, emotion, scare tactics, simple scientific explanations, sexual imagery, and many other methods to communicate powerfully and effectively.

They called themselves the Motherfuckers; others called them a ''street gang with an analysis.'' Osha Neumann's thoughtful, funny, and honest account of his part in '60s counterculture is also an unflinching look at what all that rebellion of the past means today. The fast moving story follows the establishment of the Motherfuckers, who influenced the Yippies and members of SDS; makes vivid the art, music, and politics of the era; and reveals the colorful, often deeply strange, personalities that gave the movement its momentum. Abbie Hoffman said the Motherfuckers were ''the middle-class nightmare . . . an antimedia media phenomenon simply because their name could not be printed.'' In the few years of its existence the group forced its way into the Pentagon during a war protest, helped occupy one of the buildings in the Columbia University takeover, and cut the fences at Woodstock to allow thousands in for free, among many other feats of radical derring-do.

Curtis J. Austin’s Up Against the Wall chronicles how violence brought about the founding of the Black Panther Party in 1966 by Huey P. Newton and Bobby Seale, dominated its policies, and finally destroyed the party as one member after another—Eldridge Cleaver, Fred Hampton, Alex Rackley—left the party, was killed, or was imprisoned. Austin shows how the party’s early emphasis in the 1960s on self-defense, though sorely needed in black communities at the time, left it open to mischaracterization, infiltration, and devastation by local, state, and federal police forces and government agencies. Austin carefully highlights the internal tension between advocates of a more radical position than the Panthers took, who insisted on military confrontation with the state, and those such as Newton and David Hilliard, who believed in community organizing and alliance building as first priorities. Austin interviewed a number of party members who had heretofore remained silent. With the help of these stories, Austin is able to put the violent history of the party in perspective and show that the “survival” programs, such as the Free Breakfast for Children program and Free Health Clinics, helped the black communities they served to recognize their own bases of power and ability to save themselves.

An analysis of the political, social, and economic ramifications of the "security fence" annex currently under construction in the West Bank.

Blame it on the Egyptian sun or the desert heat, but as tensions flare between a reckless rogue and beautiful scholar en route to foil a kidnapping, so does love, in the most uninhibited and impossibly delightful ways.

The book offers a step-by-step blueprint of radical proposals for the U.S.-Mexican border that go far beyond traditional initiatives to ease restrictions on immigration. Up Against the Wall provides the background to understanding how the border has become a fraud, resulting in nothing more than the criminalization of Mexican and other migrants. The book argues that the border with Mexico should be completely open for Mexicans wishing to travel north.

An account of Yeates' ascent of one of the world's largest vertical rock faces, the 4,000 foot Central Tower of Paine in Chile. The greatest difficulties come not from the elements but from within themselves; crippled with fear the team is forced into a retreat but after resting return to complete the climb.