Unwritten Poetry. Two lectures

Unwritten Poetry. Two lectures
Title Unwritten Poetry. Two lectures PDF eBook
Author William LINWOOD (Dissenting Minister.)
Publisher
Pages 24
Release 1849
Genre
ISBN

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Hogg's Weekly Instructor

Hogg's Weekly Instructor
Title Hogg's Weekly Instructor PDF eBook
Author
Publisher
Pages 446
Release 1850
Genre
ISBN

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Hogg's Weekly Instructor

Hogg's Weekly Instructor
Title Hogg's Weekly Instructor PDF eBook
Author James Hogg
Publisher
Pages 452
Release 1850
Genre
ISBN

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The Restorers

The Restorers
Title The Restorers PDF eBook
Author W. S. Di Piero
Publisher University of Chicago Press
Pages 90
Release 1992-06
Genre Literary Criticism
ISBN 9780226153476

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A collection of poems one wants to call religious, so intense is each poem's evocation of holiness in life's moments. --Dave Smith.

Catalogue of Printed Books in the Library of the British Museum

Catalogue of Printed Books in the Library of the British Museum
Title Catalogue of Printed Books in the Library of the British Museum PDF eBook
Author British Museum. Department of Printed Books
Publisher
Pages 706
Release 1891
Genre English literature
ISBN

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British Museum Catalogue of Printed Books

British Museum Catalogue of Printed Books
Title British Museum Catalogue of Printed Books PDF eBook
Author
Publisher
Pages 788
Release 1891
Genre
ISBN

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Oxford Lectures on Poetry

Oxford Lectures on Poetry
Title Oxford Lectures on Poetry PDF eBook
Author A. C. Bradley
Publisher Good Press
Pages 232
Release 2020-01-09
Genre Poetry
ISBN

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Oxford Lectures on Poetry is a series of lectures by A. C. Bradley. Bradley was an English literary scholar. Excerpt: "The words 'Poetry for poetry's sake' recall the famous phrase 'Art for Art.' It is far from my purpose to examine the possible meanings of that phrase, or all the questions it involves. I propose to state briefly what I understand by 'Poetry for poetry's sake,' and then, after guarding against one or two misapprehensions of the formula, to consider more fully a single problem connected with it. And I must premise, without attempting to justify them, certain explanations. We are to consider poetry in its essence, and apart from the flaws which in most poems accompany their poetry. We are to include in the idea of poetry the metrical form, and not to regard this as a mere accident or a mere vehicle. And, finally, poetry being poems, we are to think of a poem as it actually exists; and, without aiming here at accuracy, we may say that an actual poem is the succession of experiences—sounds, images, thoughts, emotions—through which we pass when we are reading as poetically as we can.2 Of course this imaginative experience—if I may use the phrase for brevity—differs with every reader and every time of reading: a poem exists in innumerable degrees. But that insurmountable fact lies in the nature of things and does not concern us now."