As the world globalizes, globalization is accompanied by a lot of social sins and illnesses, which among these are rumors of wars, wars, poverty, famine, and economical inequalities among people and among countries. Whilst on the other hand, there are some people that globalization is making them to swim in the sea of privileges and prosperity. One wonders if this is the route that globalization should be taking. This book takes the reader through the state of what globalization is currently doing to some sections of the world's politics, economics, and social well-being of the people as it affects them differently and in different ways. Though the outcomes of the consequences of globalization seem to be different to different people in different parts of the world, they are somehow affected in similar ways by being divided along the inequalities that are being entrenched by globalization. But is this what globalization should be doing? Delve deep in the book and find for yourself.

"An original contribution to a subject which is currently of much interest to the world at large, East or West, and has an important bearing on the position of women in the societies in which veiling is practiced."--The Middle East Journal "Highly recommended. . . . It draws on and contributes to current feminist theorizing in Middle East women's studies and in broader feminist academic circles."--International Journal of Middle East Studies "A welcome contribution to Middle Eastern and women s studies, providing an innovating approach and research to a highly controversial issue in gender politics."--Digest of Middle East Studies An insightful and provocative book. . . . [It] leads to a better understanding of the veil and a debunking of current cliches. Farzaneh Milani, University of Virginia Illustrated with photographs, drawings, and cartoons gathered from popular culture, this provocative book demonstrates that the veil, the garment known in Islamic cultures as the hijab, holds within its folds a semantic versatility that goes far beyond current cliches and homogenous representations. Whether seen as erotic or romantic, a symbol of oppression or a sign of piety, modesty, or purity, the veil carries thousands of years of religious, sexual, social, and political significance. Using examples from both the East and West including Persian poetry, American erotica, Iranian and Indian films, and government-sanctioned posters Faegheh Shirazi shows that the veil has become a ubiquitous symbol, utilized as a profitable marketing tool for diverse enterprises, from Penthouse magazine to Saudi advertising companies. She argues that perceptions of the veil change with the cultural context of its use as well as over time: in a Hindi movie the veil draws in the male gaze, in an Iranian movie it denies it; photographs of veiled women in Playboy aim to titillate a principally male audience, while cartoons of veiled women in the same magazine mock and ridicule Muslim society. Shirazi concludes that the practice of veiling, encompassing an amazingly rich array of meanings, has often become a screen upon which different people in different cultures project their dreams and nightmares. Faegheh Shirazi is associate professor of Middle Eastern languages and cultures in the Islamic Studies Program at the University of Texas, Austin. She is the author of several book chapters and articles on issues related to women in Islam in numerous publications, including Critique and Journal for Critical Studies of the Middle East."

Veiling is a globally polarizing issue, a locus for the struggle between Islam and the West and between contemporary and traditional interpretations of Islam. This book examines the vastly misunderstood and multi-layered world of the veil. It explores and analyzes the cultures, politics, and histories of veiling.

Lifting The Veil Reveals the truth about Big Religion, Big Government, Big Broadcasting, Big Banks and Big Business - all run by an interlocking brotherhood. In this interview by Jon Rappoport, David Icke names names, organizations and gives detailed descriptions on the structures of control in today's world. "Most Controversial Speaker In The World" is the label frequently given David Icke as an international speaker, author and campaigner for freedom. David Icke tours the world addressing increasingly larger audiences. He is the author of nine books, including Children of the Matrix, The Biggest Secret; ".and the truth shall set you free"; Robots Rebellion; Truth Vibrations and I am Me, I Am Free. Jon Rappoport has been writing articles and books on politics and health for fifteen years. His books include The Secret Behind Secret Societies; Madalyn Murray-O'Hair; Oklahoma City Bombing: The Suppressed Truth and Aids Inc.: Scandal of the Century. Jon also hosts the contraversial interview program "The Truth About . . ." Book Size: 203 X 127

Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.

Veiled women in the West appear menacing. Their visible invisibility is a cause of obsession. What is beneath the veil more than a woman? This book investigates the preoccupation with the veiled body through the imaging and imagining of Muslim women. It examines the relationship between the body and knowledge through the politics of freedom as grounded in a ‘natural’ body, in the index of flesh. The impulse to unveil is more than a desire to free the Muslim woman. What lies at the heart of the fantasy of saving the Muslim woman is the West’s desire to save itself. The preoccupation with the veiled woman is a defense that preserves neither the object of orientalism nor the difference embodied in women’s bodies, but inversely, insists on the corporeal boundaries of the West’s mode of knowing and truth-making. The book contends that the imagination of unveiling restores the West’s sense of its own power and enables it to intrude where it is ‘other’ – thus making it the centre and the agent by promising universal freedom, all the while stifling the question of what freedom is.

What do we miss seeing of reality when we don't include the feminine perspective? The feminine principle with all its unique qualities is restoring the lost soul to disciplines once limited by principles of logic, analysis, and reductionism. The experiences of contemporary scientists show how the unveiling of the feminine is enlivening modern science, infusing it with a new spirit of cooperation and compassion, and changing long-held ideas about progress and about what makes "good science". "Her book has led me to think anew about science and about women in science."-Anna J. Harrison, past president of AAAS