The Maoist guerrilla group Shining Path launched its violent campaign against the government in Peru’s Ayacucho region in 1980. When the military and counterinsurgency police forces were dispatched to oppose the insurrection, the violence quickly escalated. The peasant community of Sarhua was at the epicenter of the conflict, and this small village is the focus of Unveiling Secrets of War in the Peruvian Andes. There, nearly a decade after the event, Olga M. González follows the tangled thread of a public secret: the disappearance of Narciso Huicho, the man blamed for plunging Sarhua into a conflict that would sunder the community for years. Drawing on extensive fieldwork and a novel use of a cycle of paintings, González examines the relationship between secrecy and memory. Her attention to the gaps and silences within both the Sarhuinos’ oral histories and the paintings reveals the pervasive reality of secrecy for people who have endured episodes of intense violence. González conveys how public secrets turn the process of unmasking into a complex mode of truth telling. Ultimately, public secrecy is an intricate way of “remembering to forget” that establishes a normative truth that makes life livable in the aftermath of a civil war.

Born in 1921, Manuel Llamojha Mitma became one of Peru's most creative and inspiring indigenous political activists. Now Peru Is Mine combines extensive oral history interviews with archival research to chronicle his struggles for indigenous land rights and political inclusion as well as his fight against anti-Indian racism. His compelling story—framed by Jaymie Patricia Heilman's historical contextualization—covers nearly eight decades, from the poverty of his youth and teaching himself to read, to becoming an internationally known activist. Llamojha also recounts his life's tragedies, such as being forced to flee his home and the disappearance of his son during the war between the Shining Path and the government. His life gives insight into many key developments in Peru's tumultuous twentieth-century history, among them urbanization, poverty, racism, agrarian reform, political organizing, the demise of the hacienda system, and the Shining Path. The centrality of his embrace of his campesino identity forces a rethinking of how indigenous identity works inside Peru, while the implications of his activism broaden our understanding of political mobilization in Cold War Latin America.

"Graciela: One Woman's Story of War, Survival, and Perseverance in the Peruvian Andes chronicles the life of a Quechua-speaking Indigenous woman in the remote Andean highlands during the war in Peru that killed seventy thousand people and displaced hundreds of thousands more in the 1980s and 1990s. The book traces her early years as a young child living in an epicenter of violence to her contemporary life as a postwar survivor. Graciela Orihuela Rocha's history embodies the horrors, injustices, promises, and challenges faced by countless individuals who endured and survived the war. Her story provides intimate insights into deep-seated divisions within Peruvian society that center around skin color, gender, language, and ties to the land. These faulty lines--the result of colonial conquest--have endured to the present day, fostering discontent and violence in Peru. Through Graciela's story we not only learn of trauma and dehumanization but also resilience, strength, and perseverance. Hers is not only a story of war but also of the complex ways in which humans navigate connection, trust, and betrayal. Graciela's history provides insight into the systemic challenges of determining truth, implementing justice, and envisioning reconciliation in a country where calls for equality and justice remain unrealized for the most marginalized. Now more than ever, Graciela's story and thousands like hers must be told and understood" --

Peru's indigenous peoples played a key role in the tortured tale of Shining Path guerrillas from the 1960s through the first decade of the twenty-first century. The villagers of Chuschi and Huaychao, high in the mountains of the department of Ayacucho, have an iconic place in this violent history. Emphasizing the years leading up to the peak period of violence from 1980 to 2000, when 69,000 people lost their lives, Miguel La Serna asks why some Andean peasants chose to embrace Shining Path ideology and others did not. Drawing on archival materials and ethnographic field work, La Serna argues that historically rooted and locally specific power relations, social conflicts, and cultural understandings shaped the responses of indigenous peasants to the insurgency. In Chuschi, the guerrillas found indigenous support for the movement and dreamed of sparking a worldwide Maoist revolution. In Huaychao, by contrast, villagers rose up against Shining Path forces, precipitating more violence and feeding an international uproar that took on political significance for Peru during the Cold War. The Corner of the Living illuminates both the stark realities of life for the rural poor everywhere and why they may or may not choose to mobilize around a revolutionary cause.

Spirituality and Social Justice explores how critically informed spirituality can serve as an inspiration and a political force in the quest for social and ecological justice. Writing from various spiritual and religious worldviews, including Indigenous, Islamic, Wicca/Witchcraft, Jewish, Buddhist, and Christian, the authors—practitioners and academics of social work—draw on lived experience, research, and literature to illuminate how relationship with spirit can orient ways of being and acting to build a more just society. In Part One, the authors foreground Indigenous spirituality as resistance and decolonization. Part Two examines the complex ethical and political dimensions of spirituality, including the ecological destruction of the Earth and the influence of contemporary neoliberalism. Lastly, Part Three explores spirituality in teaching and learning contexts, both inside and beyond the classroom. Engaging and well-written, Spirituality and Social Justice challenges the notion that practitioners must put aside their critical spirituality in teaching, learning, healing, and practice. Students, practitioners, and academics of social work and other helping professions will benefit from the unique insights into spirituality and religion and how they inform social justice activism.

Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity. Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar

In Women’s Place in the Andes Florence E. Babb draws on four decades of anthropological research to reexamine the complex interworkings of gender, race, and indigeneity in Peru and beyond. She deftly interweaves five new analytical chapters with six of her previously published works that exemplify currents in feminist anthropology and activism. Babb argues that decolonizing feminism and engaging more fully with interlocutors from the South will lead to a deeper understanding of the iconic Andean women who are subjects of both national pride and everyday scorn. This book’s novel approach goes on to set forth a collaborative methodology for rethinking gender and race in the Americas.