The acclaimed Korean author weaves a “disturbing, beautifully controlled” metaphysical detective story “of doubles, shadows, and parallel worlds” (Financial Times). It’s Ayami’s final day working the box-office at Seoul’s only audio theater for the blind. Her last shift completed, she walks the streets with her former boss, searching for a missing friend. Their conversations take in art, love, food, and the inaccessible country to the north. The next day, Ayami acts as a guide for a detective novelist visiting from abroad. But as they contend with the summer heat, the edges of reality start to fray. Ayami enters a world of increasingly tangled threads, and the past intrudes upon the present as overlapping realities repeat, collide, change, and reassert themselves. Blisteringly original, Untold Night and Day upends the very structure of narrative storytelling. By one of the boldest and most innovative voices in contemporary Korean literature, and masterfully realized in English by Man Booker International Prize–winning translator Deborah Smith, Bae Suah’s hypnotic novel asks whether more than one version of ourselves can exist at once.

Award-winning combat journalist Sean Naylor reveals a firsthand account of the largest battle fought by American military forces in Afghanistan in an attempt to destroy al-Qaeda and Taliban forces. At dawn on March 2, 2002, America's first major battle of the 21st century began. Over 200 soldiers of the 101st Airborne and 10th Mountain Division flew into Afghanistan's Shah-i-Kot Valley—and into the mouth of a buzz saw. They were about to pay a bloody price for strategic, high-level miscalculations that underestimated the enemy's strength and willingness to fight. Naylor, an eyewitness to the battle, details the failures of military intelligence and planning, while vividly portraying the astonishing heroism of these young, untested US soldiers. Denied the extra support with which they trained, these troops nevertheless proved their worth in brutal combat and prevented an American military disaster.

First English-language story collection from one of Korea's most exciting young writers.

Previously published by Jakkajungsin in Korean in 1998.

A hypnotic, disorienting story of parallel lives unfolding over a day and a night in the sweltering heat of Seoul's summer For two years, twenty-eight-year-old Kim Ayami has worked at Seoul's only audio theatre for the blind. But now the theatre is shutting down and Ayami's future is uncertain. Her last shift completed and the theatre closed for good, Ayami walks the streets of the city with her former boss late into the night. Together they search for a mutual friend who has disappeared. The following day, at the request of that same friend, Ayami acts as a guide for a detective novelist visiting from abroad. But in the inescapable, all-consuming heat of Seoul at the height of the summer, order gives way to chaos, the edges of reality start to fray, and the past intrudes on the present in increasingly disruptive ways. Blisteringly original, Untold Night and Day is a high-wire feat of storytelling that explores the possibility of worlds beyond the one we see and feel - and shows why Bae Suah is considered one of the boldest voices in Korean literature today.

"Here is my disconnect: the private and public self. My mind and body. The real person and curated spectacle. . . . Are there actual roots with which to fasten this performance to anything real?" As a transnational and transracial adoptee, Jenny Heijun Wills has spent her life navigating the fraught spaces of ethnicity and belonging. As a pan-polyam individual, she lives between types of family—adopted, biological, chosen—and "community"; heternormativity and queerness; commitment and a constellation of love. And as a parent with a lifelong eating disorder, who self-harms to cope with mental illness, her love language is to feed, but daily she wishes her body would disappear. These facets of Wills' being have served as the anchors she once clung to and the harsh parameters of what others now imagine she can be. Everything and Nothing At All weaves together a lifetime of literary criticism, cultural study, and a personal history into a staggering tapestry of knowledge. And though the experiences of accumulating this knowledge have often been shot through with pain, Wills spins these threads into priceless gold—a radical, fearless vision of kinship and family. Devastating, illuminating, and beautifully crafted, these essays breathe life into the ambiguities and excesses of Wills' self, transforming them into something more—something that could be everything.

This collection of Japanese poetry contains over 200 poems by some 153 Americans writing of their impressions and experiences of Japan. If Japan forms the theme of the poems collected here, the variations are certainly the deep feeling so many Americans have come to have for Japan and the Japanese People. And the Resulting Choral is, we are convinced, both a thing of beauty and unique expression of goodwill between nations. Through the many years and in many countries poets have been entranced with the romances suggested by the name Japan. They have enthralled the sweetness of its children; serenity of its art; the beauty of its fields, seas, and mountains; the grandeur of its ancient architecture and quiet gardens; colorful pageantry of its history and deep emotions of its drama; the industriousness of its workers, charm of its women, and indomitable character of its people.