November is looking forward to getting to know her father and the safety of a small town. After leaving the big apple and her bad memories for Tennessee, November starts working for her dad at his strip club doing the books. The one time she's allowed there during club hours she runs into Asher Mayson. He's perfect until he opens his mouth and makes assumptions. November wants nothing to do with Asher but too bad for November fate has other plans. Asher Mayson has never had a problem getting a woman that is until November. Now all he can think about is making November his and keeping her safe.

Examines the rise and fall of English as the most widely spoken language in human history and discusses what language will overtake its dominance as English-speaking nations are challenged by the rising wealth of Brazil, Russia, India and China.

When Fallon and aspiring novelist Ben meet and fall in love the day before Fallon's cross-country move, they vow to meet on the same date every year, until Fallon suspects Ben is fabricating their relationship to create the perfect plot twist.

Country clubs and garden parties. The last thing Cassandra wants is to spend the summer before her senior year marooned in a snooty Massachusetts shore town. Cass craves drama and adventure, which is hard when she just feels stuck. But when a dreamy stranger shows up on her family's private beach, claiming that it is his property—and that the year is 1925—Cass is swept into a mystery a hundred years in the making. As she searches for answers in the present, Cass discovers a truth that thrusts Lawrence's life into jeopardy. It won't matter which century he is from if he won't live to see tomorrow. Desperate to save the boy who's come to mean everything to her, Cassandra must find a way to change history...or risk losing Lawrence forever. "Until We Meet Again is tragically beautiful with twists you won't see coming."—Martina Boone, author of Compulsion and the Heirs of Watson Island trilogy "A beach house, a mystery, and time-travel love make Until We Meet Again a romantic, engaging read."—Deb Caletti, National Book Award Finalist for Honey, Baby, Sweetheart

Trevor Mayson had his life planned out - make the family business successful and play the field for a few more years before eventually settling down. Then he sees her. Liz Hayes was beautiful, shy and everything that he could ever want...but she didn't fit into his plans. After Trevor painfully rejects her, Liz finally starts to move on, but Trevor is finding it difficult to truly let her go. It seems the more he tries to stay away, the more intense his feelings for her become. Like a stretched rubber band, he can only take so much before snapping. Liz Hayes is done waiting for Trevor and isn't interested in getting her heart broken by him again, but Trevor is making it difficult for her to forget him when he shoves his way back into her life. Can Trevor prove to her that he is worth falling in love with again, and is he ready to change his life plan to let her into his heart?

"New York Times"-bestselling author Harris has delighted fans with her mystery series featuring small-town waitress-turned-paranormal sleuth Sookie Stackhouse. "Dead Until Dark" is her first novel in the series.

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.