What would you do: - If you are thrown out of your house with three young daughters in the middle of the night? - If the light of your life is extinguished in a freak moment? Does one give up? What helps you cope? 14 Women, 14 Lives. They are all ordinary women who walk amongst us. These heroines are from different states, income classes, age and social status levels. What struck us in our face-to-face interviews with these protagonists is their fortitude when faced with extreme challenges. We, as authors, were drawn to this conviction. We had to chronicle their battles. 14 ordinary women, 14 unique footprints. What would you do?

What would you do: – If you are thrown out of your house with three young daughters in the middle of the night? – If the light of your life is extinguished in a freak moment? Does one give up? What helps you cope? 14 Women, 14 Lives. They are all ordinary women who walk amongst us. These heroines are from different states, income classes, age and social status levels. What struck us in our face-to-face interviews with these protagonists is their fortitude when faced with extreme challenges. We, as authors, were drawn to this conviction. We had to chronicle their battles. 14 ordinary women, 14 unique footprints. What would you do?

A modern, magical twist on the Gothic Romance and Girl Detective genres, this book will appeal to fans of both Beautiful Creatures and the Mortal Instruments series. Reviewers have praised the take-charge heroine and the spellbinding romance. Bound together. Worlds apart. Kami Glass is in love with someone she's never met—a boy she's talked to in her head since she was born. This has made her an outsider in the sleepy English town of Sorry-in-the-Vale, but she has learned ways to turn that to her advantage. Her life seems to be in order, until disturbing events begin to occur. There has been screaming in the woods and the manor overlooking the town has lit up for the first time in 10 years. . . . The Lynburn family, who ruled the town a generation ago and who all left without warning, have returned. Now Kami can see that the town she has known and loved all her life is hiding a multitude of secrets—and a murderer. The key to it all just might be the boy in her head. The boy she thought was imaginary is real, and definitely and deliciously dangerous. "A sparkling fantasy that will make you laugh and break your heart." --Cassandra Clare, New York Times bestselling author "A darkly funny, deliciously thrilling Gothic." --Kelley Armstrong, New York Times bestselling author "Readers will laugh, shiver, and maybe even swoon over this modern Gothic novel." --Melissa Marr, New York Times bestselling author "Breathtaking--a compulsive, rocketing read."--Tamora Pierce, New York Times bestselling author "Captures the reader with true magic."--Esther Friesner, author of Nobody's Princess "A laugh-out-loud delight." --Publishers Weekly

"Reading Frank O'Connor's "Man of the House" and "My Oedipus Complex," Frank McCourt's "Angela's Ashes" and Edna O'Brien's "The Country Girls" side-by-side, one sees a vivid illustration of the changing depictions of the mother character within Irish literature. The portrayal of mother characters in these works is significant to the literary representation of the social development of several generations of women within the Republic of Ireland. The depictions of the mother as see in the works of O'Connor, McCourt and O'Brien are also vital to the development of the female presence in literature bot as completely developed characters and as narrators, beginning with the see-but-rarely-heard mother, transitioning to the mother as family-advocate-and-constant, and ending with the sexually-driven-but-repressed mother teaching her daughter to evolve beyond tradition." from abstract

Anjali is back for an encore in this follow-up to Always Anjali! And she isn't going to let anyone make her feel bad for being good at something, especially something she loves. For Anjali, playing the tabla is something that comes naturally--she loves feeling the drum beneath her fingers and getting lost in the music. She doesn't care that some people say it's an instrument for boys. But she does care when her skills make others treat her differently. Anjali starts downplaying her talent, and even messes up on purpose. When her teacher announces a music contest, Anjali can’t deny her dreams of playing the tabla. From actor, author, and activist Sheetal Sheth, this second book in the Anjali series is an important message about never dimming your light.

A Civil War–era girl’s courage is tested in this haunting, wordless story. When a farm girl discovers a runaway slave hiding in the barn, she is at once startled and frightened. But the stranger’s fearful eyes weigh upon her conscience, and she must make a difficult choice. Will she have the courage to help him? Unspoken gifts of humanity unite the girl and the runaway as they each face a journey: one following the North Star, the other following her heart. Henry Cole’s unusual and original rendering of the Underground Railroad speaks directly to our deepest sense of compassion. Praise for Unspoken A New York Times Best Illustrated Book “Designed to present youngsters with a moral choice . . . the author, a former teacher, clearly intended Unspoken to be a challenging book, its somber sepia tone drawings establish a mood of foreboding.” —The New York Times Book Review “Moving and emotionally charged.” —Kirkus Reviews, starred review “Gorgeously rendered in soft dark pencils, this wordless book is reminiscent of the naturalistic pencil artistry of Maurice Sendak and Brian Selznick.” —School Library Journal, starred review “Cole’s . . . beautifully detailed pencil drawings on cream-colored paper deftly visualize a family’s ruggedly simple lifestyle on a Civil War–era homestead, while facing stark, ethical choices . . . Cole conjures significant tension and emotional heft . . . in this powerful tale of quiet camaraderie and courage.” —Publishers Weekly, starred review