Leading experts and rising stars in the field explore whether cosmopolitanism becomes impossible in the theoretical framework that assumed the absence of a final ground. The questions that the volume addresses refer exactly to the foundational predicament that characterizes cosmopolitanism: How is it possible to think cosmopolitanism after the critique of foundations? Can cosmopolitanism be conceived without an ‘ultimate’ ground? Can we construct theories of cosmopolitanism without some certainties about the entire world or about the cosmos? Should we continue to look for foundations of cosmopolitan rights, norms and values? Alternatively, should we aim towards cosmopolitanism without foundations or towards cosmopolitanism with ‘contingent foundations’? Could cosmopolitanism be the very attempt to come to terms with the failure of ultimate grounds? Written accessibly and contributing to key debates on political philosophy, and social and political thought, this volume advances the concept of post-foundational cosmopolitanism by bridging the polarised approaches to the concept.

Tamora Pierce has a large following of teen and adult readers, who savor her fantasy novels with strong female characters. This volume provides her readers and fans with additional insights into her life and work. The first section provides a biographical chapter and literary heritage. The second and third sections analyze the Tales of Tortall and the Magic Circle Sagas as a whole, providing details into the characters and settings of each. The final section of the book, Perspectives, includes both a section on literary techniques along with an interview of Tamora Pierce herself. Appendices include a section on Power Female Heroes, and Fantasy Adventures. Novels include: *The Song of the Lioness Quartet *The Immortals Quartet *The Protector of the Small Quartet *The Trickster Duology *The Magic Circle Quartet *The Circle Opens Quartet *The Will of the Empress

He was once a king, turned into a bear as punishment for his cruel and selfish deeds. She was a once a princess, now living in the form of a hound. Wary companions, they are sent—in human form—back to a time when magic went terribly astray. Together they must right the wrongs caused by this devastating power—if only they can find a way to trust each other. But even as each becomes aware of an ever-growing attraction, the stakes are rising and they must find a way to eliminate this evil force—or risk losing each other forever.

Sandry can weave magic like thread. Her skill leaves others in awe, although controlling and channelling her power is second nature by now. And this is why she is horrified to find that an untrained boy, Pasco, is dancing complex magic - with no idea that he is doing it ...

What is a maiden to do when her prince is not a prince, her hair won’t stop growing, and someone has cursed her to sleep for 300 years? In Polyhymnia’s case, it seems expedient to get up with the help of a kiss or two, trailing her hair behind her, and find out who did it. Nothing quite works out as planned, however. Poly can’t be sure if that’s because she never seems to be able to remember things like the mysterious spindle that keeps showing up around her, or if it’s the fault of the wizard who woke her but never stops long enough to explain anything. Poly is determined in two things: One, that she will find out who cursed her to sleep and meddled with her memories. Two: that she will absolutely not fall in love with the irritating wizard who seems to need to keep kissing her back into the real world… Spindle is a fairytale retelling of Sleeping Beauty with a dash of Rapunzel. If you love fairytales, clean fantasy, enchanters, and magical villages, not to mention Diana Wynne Jones, Robin McKinley, and Gail Carson Levine, you'll probably love Spindle!

Lady Sandrilene fa Toren knows all about unusual magic--she herself spins and weaves it like thread. But when she witnesses a boy dancing a spell, even she is confounded. To her dismay she gets news of a mysterious murderer stalking a clan of local merchants. The killer employs the strangest magic of all: the ability to reduce essence to nothingness. As the murders mount and the killer grows bolder, Sandry's teaching takes on a grave purpose. It becomes clear to everyone that the killings can only be stopped by the combined magic of two people: the young teacher and her even younger student.