In Revolutionary America, colonists surged across the Appalachians, Indians fought to preserve their land, and a bloodbath ensued—but why? Breaking with previous interpretations, Unsettling the West tells the story of a frontier where government initiatives, rather than pioneer independence, drove violence and colonization.

By the end of 1849, an estimated thirty-nine thousand gold-seekers had arrived in San Francisco by sea, and some thirty thousand others had crossed the continent on land. Another eighty-six thousand would arrive in 1850. According to the census for that year. there were twelve men for every woman in California. But who would want them? The words "gold rush" generate at best an image of raucous, all-male camaraderie, at worst a storm of lawless and irredeemable violence. Eliza Wood Burhans Farnham, a young widow who had already generated considerable attention for herself as the matron of Sing Sing prison, had a vision for California. "Woman, with all her kindly cares and powers, so peculiarly conservative to man under such circumstances," would bring a civilizing influence to the state. Farnham's vision went beyond gentility however, to a society in which individuals -- male or female -- could fulfill their potential, and virtues championed by free-thinking New England philosophers would reign supreme. The realities of everyday life in gold-rush California were daunting, but when Farnham's friend Georgiana Bruce (later Kirby) joined her the following year, hope returned in full measure: "She fills up a great place in my dark world and comes to me like a pleasant breeze or a bright sun after one of our long rains. We are going to be very independent and free...dashing about at our discretion." The stories of these "sisters on the way to the vast Beyond," as Farnham called them, could not be told separately. With insight, wit, and telling detail, JoAnn Levy relates the scope and outcome of their quest for human perfectibility in this account of two remarkable and redoubtable women in frontier California. Book jacket.

The Settling and Unsettling the West primary source reader builds literacy skills while offering engaging content across social studies subject areas. Primary source documents provide an intimate glimpse into what life was like during the 1800s. This nonfiction reader can be purposefully differentiated for various reading levels and learning styles. It contains text features to increase academic vocabulary and comprehension, from captions and bold print to index and glossary. The "Your Turn!" activity will continue to challenge students as they extend their learning. This text aligns to state standards as well as McREL, WIDA/TESOL, and the NCSS/C3 Framework.

This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form. What makes photographic images unsettling and how do the re-uses and interpretations of photographic images unsettle the self-evident reality of the visual field? Taking up these themes, this book examines the role of photography as a revelatory medium underscored by its complex association with history, memory, experience and identity.

The test of western literature has invariably been Is it real? Is it accurate? Authentic? The result is a standard anything but literary, as Nathaniel Lewis observes in this ambitious work, a wholesale rethinking of the critical terms and contexts?and thus of the very nature?of western writing. ø Why is western writing virtually missing from the American literary canon but a frequent success in the marketplace? The skewed status of western literature, Lewis contends, can be directly attributed to the strategies of the region?s writers, and these strategies depend consistently on the claim of authenticity. A perusal of western American authorship reveals how these writers effectively present themselves as accurate and reliable recorders of real places, histories, and cultures?but not as stylists or inventors. The imaginative qualities of this literature are thus obscured in the name of authentic reproduction. Through a study of a set of western authors and their relationships to literary and cultural history, Lewis offers a reconsideration of the deceptive and often undervalued history of western American literature. ø With unequivocal admiration for the literature under scrutiny, Lewis exposes the potential for startling new readings once western writing is freed from its insistence on a questionable authenticity. His book sets out a broader system of inquiry that points writers and critics of western literature in the direction of a new and truly sustaining literary tradition.

This visual and textual study of lynchings that took place in California between 1850 and 1935 shows that race-based lynching in the United States reached far beyond the South.

In the American West, water adjudication lawsuits are adversarial, expensive, and lengthy. Unsettled Waters is the first detailed study of water adjudications in New Mexico. The state envisioned adjudication as a straightforward accounting of water rights as private property. However, adjudication resurfaced tensions and created conflicts among water sovereigns at multiple scales. Based on more than ten years of fieldwork, this book tells a fascinating story of resistance involving communal water cultures, Native rights and cleaved identities, clashing experts, and unintended outcomes. Whether the state can alter adjudications to meet the water demands in the twenty-first century will have serious consequences.