In this updated and expanded edition of climate scientist Steven Koonin’s groundbreaking book, go behind the headlines to discover the latest eye-opening data about climate change—with unbiased facts and realistic steps for the future. "Greenland’s ice loss is accelerating." "Extreme temperatures are causing more fatalities." "Rapid 'climate action' is essential to avoid a future climate disaster." You've heard all this presented as fact. But according to science, all of these statements are profoundly misleading. With the new edition of Unsettled, Steven Koonin draws on decades of experience—including as a top science advisor to the Obama administration—to clear away the fog and explain what science really says (and doesn't say). With a new introduction, this edition now features reflections on an additional three years of eye-opening data, alternatives to unrealistic “net zero” solutions, global energy inequalities, and the energy crisis arising from the war in Ukraine. When it comes to climate change, the media, politicians, and other prominent voices have declared that “the science is settled.” In reality, the climate is changing, but the why and how aren’t as clear as you’ve probably been led to believe. Koonin takes readers behind the headlines, dispels popular myths, and unveils little-known truths: Despite rising greenhouse gas emissions, global temperatures decreased from 1940 to 1970 Models currently used to predict the future do not accurately describe the climate of the past, and modelers themselves strongly doubt their regional predictions There is no compelling evidence that hurricanes are becoming more frequent—or that predictions of rapid sea level rise have any validity Unsettled is a reality check buoyed by hope, offering the truth about climate science—what we know, what we don’t, and what it all means for our future.

Rosaleen McDonagh writes fearlessly about a diverse experience of being Irish. 'Unsettled' explores racism, ableism, abuse and resistance as well as the bonds of community, family and friendship. As an Irish Traveller writing from a feminist perspective, McDonagh's essays are rich and complex, raw and honest, and, above all else, uncompromising.

A Bank Street Best Children’s Book of the Year · Kid's Indie Next List · Featured in Today Show’s AAPI Heritage Month list · A Kirkus Children's Best Book of 2021 · A National Council of Teachers of English Notable Verse Novel · Jane Addams 2022 Children’s Book Award Finalist · 2021 Nerdy Award Winner · Muslim Bookstagram Award Winner for Best Middle School Book For fans of Other Words for Home and Front Desk, this powerful, charming immigration story follows a girl who moves from Karachi, Pakistan, to Peachtree City, Georgia, and must find her footing in a new world. Reem Faruqi is the ALA Notable author of award-winning Lailah's Lunchbox. "A lyrical coming of age story exploring family, immigration, and most of all belonging.” —Aisha Saeed, New York Times bestselling author of Amal Unbound “This empowering story will resonate with people who have struggled to both fit in and stay true to themselves.” —Veera Hiranandani, Newbery Honor author of The Night Diary “A gorgeously written story, filled with warmth and depth." —Hena Khan, author of Amina’s Voice When her family moves from Pakistan to Peachtree City, all Nurah wants is to blend in, yet she stands out for all the wrong reasons. Nurah’s accent, floral-print kurtas, and tea-colored skin make her feel excluded, until she meets Stahr at swimming tryouts. And in the water Nurah doesn’t want to blend in. She wants to win medals like her star athlete brother, Owais—who is going through struggles of his own in the U.S. Yet when sibling rivalry gets in the way, she makes a split-second decision of betrayal that changes their fates. Ultimately Nurah slowly gains confidence in the form of strong swimming arms, and also gains the courage to stand up to bullies, fight for what she believes in, and find her place.

A shocking inside account of reckless capitalism and injustice in the Purdue Pharma bankruptcy case. In September 2019, Purdue Pharma—the maker of OxyContin and a company controlled by the infamous billionaire Sackler family—filed for bankruptcy to protect itself from 2,600 lawsuits for its role in fueling the U.S. overdose crisis. Author and activist Ryan Hampton served as co-chair of the official creditors committee that acted as a watchdog during the process, one of only four victims appointed among representatives of big insurance companies, hospitals, and pharmacies. He entered the case believing that exposing the Sacklers and mobilizing against Purdue would be enough to right the scales of justice. But he soon learned that behind closed doors, justice had plenty of other competition—and it came with a hefty price tag. Unsettled is the inside story of Purdue’s excruciating Chapter 11 bankruptcy proceedings, the company’s eventual restructuring, and the Sackler family’s evasion of any true accountability. It’s also the untold story of how a group of determined ordinary people tried to see justice done against the odds—and in the face of brutal opposition from powerful institutions and even government representatives. Although America was envisioned as an equitable place, where the vulnerable are protected from the greed of the powerful, the corporate-bankruptcy process betrays those values. In its heart of hearts, this system is built to shield the ultra-wealthy, exploit loopholes for political power, promote gross wealth inequality, and allow companies such as Purdue Pharma to run amok. The real story of the Purdue bankruptcy wasn’t that the billion-dollar corporation was a villain, a serial federal offender. No matter what the media said, Purdue didn’t do this alone. They were aided and abetted by the very systems and institutions that were supposed to protect Americans. Even on-your-side elected officials worked against Purdue’s victims—maintaining the status quo at all costs. Americans deserve to know exactly who is responsible for failing to protect people over profits—and what a human life is worth to corporations, billionaires, and lawmakers. Unsettled is what happened behind closed doors—the story of a sick, broken system that destroyed millions of lives and let the Sacklers off almost scot-free.

After surviving the Khmer Rouge genocide, followed by years of confinement to international refugee camps, as many as 10,000 Southeast Asian refugees arrived in the Bronx during the 1980s and ‘90s. Unsettled chronicles the unfinished odyssey of Bronx Cambodians, closely following one woman and her family for several years as they survive yet resist their literal insertion into concentrated Bronx poverty. Eric Tang tells the harrowing and inspiring stories of these refugees to make sense of how and why the displaced migrants have been resettled in the “hyperghetto.” He argues that refuge is never found, that rescue discourses mask a more profound urban reality characterized by racialized geographic enclosure, economic displacement and unrelenting poverty, and the criminalization of daily life. Unsettled views the hyperghetto as a site of extreme isolation, punishment, and confinement. The refugees remain captives in late-capitalist urban America. Tang ultimately asks: What does it mean for these Cambodians to resettle into this distinct time and space of slavery’s afterlife?

Unsettled History examines South African society and the construction and presentation of its public pasts, from Nelson Mandela’s release from prison in 1990 to South Africa’s hosting of the 2010 FIFA World Cup ®. Conventionally represented as a time of rectifying the silences and distortions of settler history through inclusion and recovery, the focus here instead is on the shifts in processes and locations of historicizing and the unsettled state of categories of framing history in post-apartheid South Africa. This era saw fundamental transformations in the order of knowledge: from the academy to the public; from popular history to public history; from history-as-lesson to history-as-forum. Leslie Witz, Gary Minkley, and Ciraj Rassool take the reader to sites of historical production in which complex ideas about pasts are invoked, and navigate a path toward understanding the agencies of image-making and memory production. This volume is the outcome of the authors’ intensive collaborative research and engagement over twenty-five years on questions including the production and performance of apartheid history; the cultural politics of social history; South Africa’s Truth and Reconciliation Commission and practices of orality; tourism as an arena of image-making and historical construction; museums as sites of heritage production for a new South Africa; photographs, archival meanings, and the construction of the social documentary; and the centenary commemorations of the South African War and the making of race. The authors not only witnessed many of these instances of history-making but were also participants in their constitution.