Unruly Catholic Nuns explores the voices of current and former Catholic nuns and, by doing so, contributes to the global conversation about the role of women in the Catholic Church today. Through autobiography, fiction, poetry, and prose, Sisters and former nuns write about their lived experiences with Catholicism, both in accordance and in conflict with the institutional Church. Through their stories we learn how these women act out their missions of social justice, challenge cultural and governmental policies, and attempt to reconcile their unruliness with their religious orders and the strictures of the church hierarchy. At a time when questions of gender, religion, race, and sexuality are provoking intense debate within Catholicism and other Christian traditions, and when religion is frequently invoked in political rhetoric, these stories provide a vital corrective to our contemporary understanding of the role of women and nuns in the Roman Catholic Church.

A collection of creative pieces, Unruly Catholic Feminists explores how women are coming to terms with their feminism and Catholicism in the twenty-first century. Through short stories, poems, and personal essays, third- and fourth-wave feminists write about the issues, reforms, and potential for progress. Giving voice to many younger writers, the book includes a variety of geographic and ethnic points of view from which women write about their experiences with Catholicism and their visions for the future. While change in the church may be slow to come, even the promise of progress may provide hope for women struggling with the conflicts between their religion and their sense of their own spirituality. Rather than always only oppressing or containing women, Catholicism also drives or inspires many to challenge literary, social, political, or religious hierarchies. By examining how women attempt to reconcile their unruliness with their Catholic backgrounds or conversions and their future hopes and dreams, Unruly Catholic Feminists offers new perspectives on gender and religion today—and for the days yet to come.

Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now. In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation. In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.

A literary anthology exploring contemporary Catholic women’s experiences. This unique literary anthology is devoted to unruly Catholic women. In short stories, poems, personal essays, and drama, the contributors describe women’s struggles with Catholicism and also complicate contemporary understandings of women’s relationships to their faith. Catholicism often oppresses the women in these creative pieces, but it also inspires them to challenge literary, social, political, and religious hierarchies. The collection reflects the considerations of a wide range of women from a variety of ethnic backgrounds, geographic locations, and generations; they encompass the gamut of reactions to the Catholic experience—humor, anger, nostalgia, critique, appreciation, and engagement or rejection on one’s own terms. Authors address real life versus Catholic dogma, motherhood, childhood, alienation from the Church, Catholic school days, mentors and exemplary figures, Church strictures on women’s sexualities, and leaving or remaining in the Church among many other experiences. Readers will find this a rich and multifaceted exploration, one that offers new perspectives and moments of recognition.

The vibrant media landscape in the southern Indian state of Kerala, where kiosks overflow with magazines and colorful film posters line roadside walls, creates a sexually charged public sphere that has a long history of political protests. The 2014 “Kiss of Love” campaign garnered national attention, sparking controversy as images of activists kissing in public and dragged into police vans flooded the media. In Unruly Figures, Navaneetha Mokkil tracks the cultural practices through which sexual figures—particularly the sex worker and the lesbian—are produced in the public imagination. Her analysis includes representations of the prostitute figure in popular media, trajectories of queerness in Malayalam films, public discourse on lesbian sexuality, the autobiographical project of sex worker and activist Nalini Jameela, and the memorialization of murdered transgender activist Sweet Maria, showing how various marginalized figures stage their own fractured journeys of resistance in the post-1990s context of globalization. By bringing a substantial body of Malayalam-language literature and media texts on gender, sexuality, and social justice into conversation with current debates around sexuality studies and transnational feminism in Asian and Anglo-American academia, Mokkil reorients the debates on sexuality in India by considering the fraught trajectories of identity and rights.

This collection covers varied perspectives on both canonical and lesser-known Catholic women writers, all focusing on unruliness in what is commonly thought of as a restrictive site of writing for women: Catholicism. This volume is comprised of fourteen selected essays divided into three main sections by chronology: (1) medieval through the seventeenth centuries; (2) eighteenth and nineteenth centuries; and (3) the twentieth and twenty-first centuries. Geared towards scholars of literary criticism and women’s studies, this collection addresses issues of gender and religion that remain central to the lives of many women living in the world today.

Martyrdom and the Politics of Religion explores the ways that Salvadoran Catholics sought to make sense of political violence in their country in the 1970s and 1980s by constructing a theological ethics that could both explain repression in religious terms and propose specific responses to violence. Drawing on extensive fieldwork, the book highlights the ways that progressive Catholicism offered a justification and tools for political resistance in the face of extraordinary destruction. Using the case of Catholicism in El Salvador, the book explores the nature of religious responses to social crisis and the ways that ordinary believers construct and strive to live by ethical systems. By highlighting the importance of theological belief, of narrative, and of religious rationality in political mobilization, it touches questions of general interest to readers concerned with the social role of religion and ethics.