Two couples cut to bits near a canyon close to the Nevada border. The police pull over blood-soaked Arlo Ward not far from the site of the grisly murders; he fully cooperates with the officers, grinning through a remorseless confession dripping with gory detail. Investigators find no murder weapon, but young, awkward Arlo's confession is signed, taped, and delivered.

Murdock explores the role of imagination in the process of writing memoirs, and suggests various ways to write a memoir, employing her own memories and other memoirs to demonstrate certain writing techniques, and providing step-by-step instructions for novice memoir writers.

While many people see ‘home’ as the domestic sphere and place of belonging, it is hard to grasp its manifold implications, and even harder to provide a tidy definition of what it is. Over the past century, discussion of home and nation has been a highly complex matter, with broad political ramifications, including the realignment of nation-states and national boundaries. Against this backdrop, this book suggests that ‘home’ is constructed on the assumption that what it defines is constantly in flux and thus can never capture an objective perspective, an ultimate truth. Along these lines, Unreliable Truths offers a comparative literary approach to the construction of home and concomitant notions of uncertainty and unreliable narration in South Asian diasporic women’s literature from the UK, Australia, South Africa, the Caribbean, North America, and Canada. Writers discussed in detail include Feroza Jussawalla, Suneeta Peres da Costa, Meera Syal, Farida Karodia, Shani Mootoo, Shobha Dé, and Oonya Kempadoo. With its focus on transcultural homes, Unreliable Truths goes beyond discussions of diaspora from an established postcolonial point of view and contributes with its investigation of transcultural unreliable narration to the representation of a g/local South Asian diaspora.

“A smart, suspenseful, and unpredictable thriller that will keep readers turning pages until every last lie is revealed.”—Karen M. McManus, New York Times bestselling author of One of Us Is Lying For fans of The Darkest Corners and Pretty Little Liars, Amanda Searcy’s debut novel will have readers both disturbed and entranced by one girl’s present-day horrors and another’s haunting past. Flight. All Kayla Asher wants to do is run. Run from the government housing complex she calls home. Run from her unstable mother. Run from a desperate job at No Limits Food. Run to a better, cleaner, safer life. Every day is one day closer to leaving. Fight. All Betsy Hopewell wants to do is survive. Survive the burner phone hidden under her bed. Survive her new rules. Survive a new school with new classmates. Survive being watched. Every minute grants her another moment of life. When fate brings Kayla and Betsy together, only one girl will survive.

Meredith Maran lived a daughter's nightmare: she accused her father of sexual abuse, then realized, nearly too late, that he was innocent. During the 1980s and 1990s, tens of thousands of Americans became convinced that they had repressed memories of childhood sexual abuse, and then, decades later, recovered those memories in therapy. Journalist, mother, and daughter Meredith Maran was one of them. Her accusation and estrangement from her father caused her sons to grow up without their only grandfather, divided her family into those who believed her and those who didn't, and led her to isolate herself on "Planet Incest," where "survivors" devoted their lives, and life savings, to recovering memories of events that had never occurred. Maran unveils her family's devastation and ultimate redemption against the backdrop of the sex-abuse scandals, beginning with the infamous McMartin preschool trial, that sent hundreds of innocents to jail—several of whom remain imprisoned today. Exploring the psychological, cultural, and neuroscientific causes of this modern American witch-hunt, My Lie asks: how could so many people come to believe the same lie at the same time? What has neuroscience discovered about the brain's capacity to create false memories and encode false beliefs? What are the "big lies" gaining traction in American culture today—and how can we keep them from taking hold? My Lie is a wrenchingly honest, unexpectedly witty, and profoundly human story that proves the personal is indeed political—and the political can become painfully personal.

An unnamed narrator's life at Yale takes a dizzying turn when she meets a girl who looks just like her. Drawn into each other's social worlds, they spiral deeper and deeper into a house of mirrors made of each other.

Fiona O'Loughlin was raised in the generation of children who were to be seen, but not heard ... unless there were guests in the house. Then she'd watch everyone, telling stories, making each other laugh. This was where she discovered the rhythm of stories and the lubrication that alcohol leant the telling. Years later, as a mum of five, Fiona would become one of Australia's most-loved comedians, performing gigs in New York, Montreal, Singapore, London, Toronto and Edinburgh. Fiona looked like she was living her dream - but she was hiding a secret in open sight, using alcoholism as material for her comedy and using comedy as an excuse for her alcoholism. Truths from an Unreliable Witness is a fiercely honest and wryly funny memoir of melancholy, love, marriage, the loss of love and marriage, homelessness, of hotel rooms strewn with empty mini-bar bottles of vodka, of waking from a two-week coma, of putrid drug dens and using a jungle to confront yourself. It is about hitting rock bottom and then realising you are only halfway down. Ultimately, it's about hanging on to your last straw of sanity and finding laughter in the darkest of times. You may want to sit down for this...