Nearly 30 years ago, James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. Long unavailable in the U.S., "Unreliable Memoirs" is being made available to American readers.

Though the phenomenon known as “unreliable narration” or “narrative unreliability” has received a lot of attention during the last two decades, narratological research has mainly focused on its manifestations in narrative fiction, particularly in homodiegetic or first-person narration. Except for film, forms and functions of unreliable narration in other genres, media and disciplines have so far been relatively neglected. The present volume redresses the balance by directing scholarly attention to disciplines and domains that narratology has so far largely ignored. It aims at initiating an interdisciplinary approach to, and debate on, narrative unreliability, exploring unreliable narration in a broad range of literary genres, other media and non-fictional text-types, contexts and disciplines beyond literary studies. Crossing the boundaries between genres, media, and disciplines, the volume acknowledges that the question of whether or not to believe or trust a narrator transcends the field of literature: The issues of (un)reliability and (un)trustworthiness play a crucial role in many areas of human life as well as a wide spectrum of academic fields ranging from law to history, and from psychology to the study of culture.

Murdock explores the role of imagination in the process of writing memoirs, and suggests various ways to write a memoir, employing her own memories and other memoirs to demonstrate certain writing techniques, and providing step-by-step instructions for novice memoir writers.

This volume deals with the occurrence and development of unreliable first-person narration in twentieth century Western literature. The different articles in this collection approach this topic both from the angle of literary theory and through a detailed reading of literary texts. By addressing questions concerning the functions, characteristics and types of unreliability, this collection contributes to the current theoretical debate about unreliable narration. At the same time, the collection highlights the different uses to which unreliability has been put in different contexts, poetical traditions and literary movements. It does so by tracing the unreliable first-person narrator in a variety of texts from Dutch, German, American, British, French, Italian, Polish, Danish and Argentinean literature. In this way, this volume significantly extends the traditional ‘canon’ of narrative unreliability. This collection combines essays from some of the foremost theoreticians of unreliability (James Phelan, Ansgar Nünning) with essays from experts in different national traditions. The result is a collection that approaches the ‘case’ of narrative unreliability from a new and more varied perspective.

Though the phenomenon known as “unreliable narration” or “narrative unreliability” has received a lot of attention during the last two decades, narratological research has mainly focused on its manifestations in narrative fiction, particularly in homodiegetic or first-person narration. Except for film, forms and functions of unreliable narration in other genres, media and disciplines have so far been relatively neglected. The present volume redresses the balance by directing scholarly attention to disciplines and domains that narratology has so far largely ignored. It aims at initiating an interdisciplinary approach to, and debate on, narrative unreliability, exploring unreliable narration in a broad range of literary genres, other media and non-fictional text-types, contexts and disciplines beyond literary studies. Crossing the boundaries between genres, media, and disciplines, the volume acknowledges that the question of whether or not to believe or trust a narrator transcends the field of literature: The issues of (un)reliability and (un)trustworthiness play a crucial role in many areas of human life as well as a wide spectrum of academic fields ranging from law to history, and from psychology to the study of culture.

The first instalment of his famed autobiography, Unreliable Memoirs is a hilarious and touching introduction to the life of the author, broadcaster, critic and poet, Clive James. 'It is one of the most tender, frank and, above all, funny accounts of growing up I have ever read' –Michael Parkinson In the first instalment of James's memoirs we follow the young Clive on his journey from boyhood to the cusp of manhood, when his days of wearing short trousers are finally behind him. Battling with school, girls, various relatives, the local wildlife, and an overwhelming desire to be a superhero, Clive's adventures growing up in the suburbs of post-war Sydney are a hair-raising and uproarious evocation of a lost world. I was born in 1939. The other big event of that year was the outbreak of the Second World War, but for the moment that did not affect me . . . 'James cannot find it within himself to write a dull paragraph' – The Times With an introduction from P.J. O'Rourke, journalist, satirist and author of Holidays in Hell. Unreliable Memoirs is the first book of memoir from Clive James. Continue his story with Falling Towards England.