In a mere twelve months, between May 2020 and May 2021, horse racing's most recognizable face—Hall of Fame trainer Bob Baffert—had five horses that failed postrace drug tests. Among those was the 2021 Kentucky Derby winner, Medina Spirit. While the incident was a major scandal in the Thoroughbred racing world, it was only the latest in a series of drug-related infractions among elite athletes. Stories about systemic rule-breaking and "doping culture"—both human and equine—have put world-class athletes and their trainers under intense scrutiny. Each newly discovered instance of abuse forces fans to question the participants' integrity, and in the case of horse racing, their humanity. In Unnatural Ability: The History of Performance-Enhancing Drugs in Thoroughbred Racing, Milton C. Toby addresses the historical and contemporary context of the Thoroughbred industry's most pressing issue. While early attempts at boosting racehorses' performance were admittedly crude, widespread legal access to narcotics and stimulants has changed the landscape of horse racing, along with athletic governing bodies' ability to regulate it. With the sport at a critical turning point in terms of doping restrictions and sports betting, Toby delivers a comprehensive account of the practice of using performance-enhancing drugs to influence the outcome of Thoroughbred races since the late nineteenth century. Paying special attention to Thoroughbred racing's purse structure and its reliance on wagering to supplement a horse's winnings, Toby discusses how horse doping poses a unique challenge for gambling sports and what the industry and its players must do to survive the pressure to get ahead.

In recent years, the study of unnatural narratives has become an exciting new but still disparate research program in narrative theory. For the first time, this collection of essays presents and discusses the new analytical tools that have so far been developed on the basis of unnatural novels, short stories, and plays and extends these findings through analyses of testimonies, comics, graphic novels, films, and oral narratives. Many narratives do not only mimetically reproduce the world as we know it but confront us with strange narrative worlds which rely on principles that have very little to do with the actual world around us. The essays in this collection develop new narratological tools and modeling systems which are designed to capture the strangeness and extravagance of such anti-realist narratives. Taken together, the essays offer a systematic investigation of anti-mimetic techniques and strategies that relate to different narrative parameters, different media, and different periods within literary history.

To the Unnatural mind, what appears natural, is your unnatural. So how can you be sure, which is which? Leo is a young teenager tormented by the roaming voices of others. Despite the attempts of therapy, the voices still remain, creeping in the corners of his mind. But he is not the only one cursed with a gift, across the ocean a young girl discovers that she shares her body with a monstrous beast. As they slowly learn to control these new powers, it isn't long before they find others like them and their worlds begin to change forever. As the sick and twisted horrors that endlessly pursue them begin to catch up with their innocent lives, it is only a matter of time before they uncover the full extent of their new-found abilities.

A talking body part, a character that is simultaneously alive and dead, a shape-changing setting, or time travel: although impossible in the real world, such narrative elements do appear in the storyworlds of novels, short stories, and plays. Impossibilities of narrator, character, time, and space are not only common in today's world of postmodernist literature but can also be found throughout the history of literature. Examples include the beast fable, the heroic epic, the romance, the eighteenth-century circulation novel, the Gothic novel, the ghost play, the fantasy narrative, and the science-fiction novel, among others. Unnatural Narrative looks at the startling and persistent presence of the impossible or "the unnatural" throughout British and American literary history. Layering the lenses of cognitive narratology, frame theory, and possible-worlds theory, Unnatural Narrative offers a rigorous and engaging new characterization of the unnatural and what it yields for individual readers as well as literary culture. Jan Alber demonstrates compelling interpretations of the unnatural in literature and shows the ways in which such unnatural phenomena become conventional in readers' minds, altogether expanding our sense of the imaginable and informing new structures and genres of narrative engagement.

Brabbling Women takes its title from a 1662 law enacted by Virginia's burgesses, which was intended to offer relief to the "poore husbands" forced into defamation suits because their "brabling" wives had slandered or scandalized their neighbors. To quell such episodes of female misrule, lawmakers decreed that husbands could choose either to pay damages or to have their wives publicly ducked.But there was more at stake here. By examining women's use of language, Terri L. Snyder demonstrates how women resisted and challenged oppressive political, legal, and cultural practices in colonial Virginia. Contending that women's voices are heard most clearly during episodes of crisis, Snyder focuses on disorderly speech to illustrate women's complex relationships to law and authority in the seventeenth century.Ordinary women, Snyder finds, employed a variety of strategies to prevail in domestic crises over sexual coercion and adultery, conflicts over women's status as servants or slaves, and threats to women's authority as independent household governors. Some women entered the political forum, openly participating as rebels or loyalists; others sought legal redress for their complaints. Wives protested the confines of marriage; unfree women spoke against masters and servitude. By the force of their words, all strove to thwart political leaders and local officials, as well as the power of husbands, masters, and neighbors. The tactics colonial women used, and the successes they met, reflect the struggles for empowerment taking place in defiance of the inequalities of the colonial period.

After witnessing the tragic death of her closest friends and family, Dawn travels across the country with a weathered vagabond in search of her aunt. On the way, she discovers that the world is a much scarier place than she had initially imagined, and that she might have some darkness lingering within herself as well. A nail-biting, edge of your seat fantasy story; one that tackles issues of the human heart, as well as mental and emotional wellness in the wake of trauma. Reflection is a story that teeters the line between wonder, amazement, and real life terrors. In a world is filled with all sorts of monsters and creatures, Reflection will leave its readers asking questions about life, and their own mental well-being.

A lavishly illustrated look at how evolution plays out in selective breeding Unnatural Selection is a stunningly illustrated book about selective breeding--the ongoing transformation of animals at the hand of man. More important, it's a book about selective breeding on a far, far grander scale—a scale that encompasses all life on Earth. We'd call it evolution. A unique fusion of art, science, and history, this book celebrates the 150th anniversary of Charles Darwin's monumental work The Variation of Animals and Plants under Domestication, and is intended as a tribute to what Darwin might have achieved had he possessed that elusive missing piece to the evolutionary puzzle—the knowledge of how individual traits are passed from one generation to the next. With the benefit of a century and a half of hindsight, Katrina van Grouw explains evolution by building on the analogy that Darwin himself used—comparing the selective breeding process with natural selection in the wild, and, like Darwin, featuring a multitude of fascinating examples. This is more than just a book about pets and livestock, however. The revelation of Unnatural Selection is that identical traits can occur in all animals, wild and domesticated, and both are governed by the same evolutionary principles. As van Grouw shows, animals are plastic things, constantly changing. In wild animals the changes are usually too slow to see—species appear to stay the same. When it comes to domesticated animals, however, change happens fast, making them the perfect model of evolution in action. Suitable for the lay reader and student, as well as the more seasoned biologist, and featuring more than four hundred breathtaking illustrations of living animals, skeletons, and historical specimens, Unnatural Selection will be enjoyed by anyone with an interest in natural history and the history of evolutionary thinking.