This book answers three simple questions. First, what mistaken assumptions do we make about the early modern period when we ignore women's literary contributions? Second, how might we come to recognise women's influence on the history of literature and culture, as well as those instances of outright pathbreaking mastery for which they are so often responsible? Finally, is it possible to see some women writers as world-makers in their own right, individuals whose craft cut into cultural practice so incisively that their shaping authority can be traced well beyond their own moment? The essays in this volume pursue these questions through intense archival investigation, intricate close reading, and painstaking literary-historical tracking, tracing in concrete terms sixteen remarkable women and their world-shaping activities.

An erotic battle of wills unfolds in an electrifying game of love and vengeance . . . "Inventive and steamy." --M. J. Rose Betrayed by a group of men he called friends, Edmond Dantès is wrongfully imprisoned for more than a decade. When he finally escapes his captivity, he remakes himself as the wealthy and powerful Count of Monte Cristo. His list of those upon whom he will seek revenge is long, but it is the love of his life, Mercédès Herrera, for whom he holds his deepest loathing—for she, too, has betrayed him. He will do anything to destroy her . . . Mercédès was devastated when she learned of the death of her beloved Dantès . . . and circumstances beyond her control have forced her into a loveless marriage. But when the Count of Monte Cristo comes on the scene, she alone sees through his disguise and beyond the harsh, vengeful man to the one she once loved. He is determined to destroy Mercédès and all she holds dear . . . she is just as determined not to succumb to this mastery. From the seaside town of Marseille to the exotic caves of Monte Cristo Isle . . . Dumas's classic story of dark revenge is retold from an entirely new perspective . . .

Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.

In this #1 national bestseller, a journalist who's been attacked by Antifa writes a deeply researched and reported account of the group's history and tactics. When Andy Ngo was attacked in the streets by Antifa in the summer of 2019, most people assumed it was an isolated incident. But those who'd been following Ngo's reporting in outlets like the New York Post and Quillette knew that the attack was only the latest in a long line of crimes perpetrated by Antifa. In Unmasked, Andy Ngo tells the story of this violent extremist movement from the very beginning. He includes interviews with former followers of the group, people who've been attacked by them, and incorporates stories from his own life. This book contains a trove of documents obtained by the author, published for the first time ever.

2020 Unmasked is a comprehensive visual story of the year that changed America. The images were captured by three photographers from three different cities: Susan Baggett in Boston, Robin Fader in Washington, DC, Victor Mirontschuk in New York City, and edited by multi-award-winning photographer Ari Espay. We decided to create a book together when we realized we were each out in our own city's streets photographing and trying to make sense of this crazy new world. 2020 UNMASKED will also include personal narratives of people most seriously impacted by the events of the year. There are four sections: Election, Resistance, Covid, and Lockdown.

One of Library Journal's Best Romances of 2018 The one you love… Robert Selby is determined to see his sister make an advantageous match. But he has two problems: the Selbys have no connections or money and Robert is really a housemaid named Charity Church. She’s enjoyed every minute of her masquerade over the past six years, but she knows her pretense is nearing an end. Charity needs to see her beloved friend married well and then Robert Selby will disappear…forever. May not be who you think… Alistair, Marquess of Pembroke, has spent years repairing the estate ruined by his wastrel father, and nothing is more important than protecting his fortune and name. He shouldn’t be so beguiled by the charming young man who shows up on his doorstep asking for favors. And he certainly shouldn’t be thinking of all the disreputable things he’d like to do to the impertinent scamp. But is who you need… When Charity’s true nature is revealed, Alistair knows he can’t marry a scandalous woman in breeches, and Charity isn’t about to lace herself into a corset and play a respectable miss. Can these stubborn souls learn to sacrifice what they’ve always wanted for a love that is more than they could have imagined?

This book discusses the way ideas and forms traveled between Britain and France during the eighteenth century, and the extent to which the circulation of ideas between the two countries could be difficult. The volume shows that this difficulty, because it was acknowledged and often thematized, contributed to an increased awareness of what was really at stake in the very concept of Enlightenment. The examination of points of contact between the two cultures-contacts that became very much the fashion in the course of the eighteenth century-helps us understand how apparently common concepts and concerns fared differently from one country to the next, while being enriched by those contacts. The conversation of aesthetic theories and artistic forms of expression between the two countries sheds interesting light on the overall confrontation of conflicting theories of power and control that expressed themselves throughout the period of complete political redistribution. The ways myths and stories, forms and theories, traveled and changed currency gives us a clearer political grasp on the whole history of exchanges, as writers and artists, encouraged or irritated by the new myth of Progress, kept putting forward nothing else but models and strategies of public and private political economy. Frederic Ogee is Professor of English Literature at the University of Paris 7-Denis Diderot.