In this second entry of a romantic fantasy trilogy, a mage and her lover must heal themselves of dark magic before they can protect their world from evil. Striving to save the Aurelian Empire, Valeria reached for too much power too quickly and a darkness has rooted inside her. Unable to confess the truth, Valeria turns to Kerrec, her former mentor, one of the elite Riders from the Mountain, home of the gods. But Kerrec, too, is deeply wounded and his darkness may be even deeper than hers—and he is refusing to face it. Until his weakness nearly destroys the Riders and their immortal white stallions . . . As Kerrec is sent from the Mountain on a desperate quest for healing, Valeria is forbidden to follow. But compelled by a power she cannot understand and encouraged by her own stallion, she shadows Kerrec on a perilous mission. The patterns of deception and secrets have been woven, the threats of war and unrest spread throughout the land, the barbarian hordes return and once more it is Valeria—and Kerrec—who must gather their strength and their wounded magic to protect all that they believe in. . . . But who will believe in them? Praise for Song of Unmaking “The battle scenes are magnificent, the characters are realistic, and the storyline is pure magic; readers will eagerly await the next book in this tantalizing series.” —Harriet Klausner “A world easy to immerse myself in. . . . [The story] was well-written, had a well-rounded and thought out world, well-characterized, and emotional.” —Laurie Ryan, author of the Willow Bay novels and the Earth Legacy series

Family secrets run deep for Grace, a young girl growing up in Cape Town during the 1980s, spilling over into adulthood, and threatening to ruin the respectable life she has built for herself. When an old childhood friend reappears, Grace’s memories of her childhood come rushing back, and she is confronted, once again, with the loss that has shaped her. She has to face up to the truth or continue to live a lie - but the choice is not straightforward. Grace is an intimate portrayal of violence, both personal and political, and its legacy on one person’s life. It meditates on the long shadow cast by personal trauma, showing the inter-generational imprint of violence and loss on people’s lives.

Bringing new research from true crime writers, scholars, and media practitioners around the world, this book offers fresh perspectives on how women read, write, and are portrayed in true crime stories across different platforms, including documentaries, podcasts, and TikToks. The genre of true crime is flourishing, and it is overwhelmingly consumed by women. Despite this, there is much we do not know about how women consume true crime and are represented in true crime stories of various kinds. This edited volume helps to fill this gap in our knowledge. Across ten chapters and using a variety of study methods, including creative practice, interviews, surveys, archival research, and case studies, the book reveals the multifaceted ways that true crime matters to women and suggests areas of future research. It also offers new insights on a diverse range of topics, such as racial identities, fraudsters, activism, victimisation, and deviance, as well as highlighting major cases from past to present which have influenced criminal justice responses. True Crime and Women is intended for researchers and students of criminology, literary studies, gender studies, media and journalism studies, and rhetorical studies, as well as media practitioners and writers.

A NATIONAL BESTSELLER! Journalist Sarah Stankorb outlines how access to the internet—its networks, freedom of expression, and resources for deeply researching and reporting on powerful church figures—allowed women to begin dismantling the false authority of evangelical communities that had long demanded their submission. A generation of American Christian girls was taught submitting to men is God’s will. They were taught not to question the men in their families or their pastors. They were told to remain sexually pure and trained to feel shame if a man was tempted. Some of these girls were abused and assaulted. Some made to shrink down so small they became a shadow of themselves. To question their leaders was to question God. All the while, their male leaders built fiefdoms from megachurches and sprawling ministries. They influenced politics and policy. To protect their church’s influence, these men covered up and hid abuse. American Christian patriarchy, as it rose in political power and cultural sway over the past four decades, hurt many faithful believers. Millions of Americans abandoned churches they once loved. Yet among those who stayed (and a few who still loved the church they fled), a brave group of women spoke up. They built online megaphones, using the democratizing power of technology to create long-overdue change. In Disobedient Women, journalist Sarah Stankorb gives long-overdue recognition for these everyday women as leaders and as voices for a different sort of faith. Their work has driven journalists to help bring abuse stories to national attention. Stankorb weaves together the efforts of these courageous voices in order to present a full, layered portrait of the treatment of women and the fight for change within the modern American church. Disobedient Women is not just a look at the women who have used the internet to bring down the religious power structures that were meant to keep them quiet, but also a picture of the large-scale changes that are happening within evangelical culture regarding women’s roles, ultimately underscoring the ways technology has created a place for women to challenge traditional institutions from within.

There is an undercover war going on in America that impacts everyone's life far more than the legal issues that typically grab the headlines. The conservative movement has been systematically turning back a century's worth of the evolving gains and protections found in the common law-the areas of law that affect the everyday activities of ordinary people. Throughout the twentieth century, contract, property, and personal injury law evolved to take more account of social conditions and the needs of consumers, workers, and less powerful members of American society. Contracts were interpreted in light of common sense, property ownership was subjected to reasonable-use provisions to protect the environment, and consumers were protected against dangerous products. But all that is changing. Conservatives have a clear agenda to turn back the clock on the common law to maximize the profits of big business. Some significant inroads have already been made to protect gun manufacturers from lawsuits, enforce form contracts that prevent employees from suing for discrimination, and hamper the government's protection of the environment against aggressive development, for example. More rollbacks are on the horizon. Although this aspect of the conservative agenda is not as visible as assaults on abortion rights and civil liberties, it may ultimately have even greater impact on our society. Jay M. Feinman's book is an accessible, eye-opening primer, full of vivid examples and case histories-from victims of medical malpractice who cannot recover damages to people who relinquish their right to sue by applying for a job. If you subscribe to any of these common myths of twenty-first-century America, you will find surprising facts and illuminating analysis in Un-Making Law: The "All-American Blame Game" has corrupted our moral fiber-everyone is looking for a scapegoat to sue whenever anything goes wrong. Malpractice lawsuits have gone sky-high in recent years, forcing insurance companies reluctantly to raise rates and forcing doctors out of practice. Consumers and employees agree to arbitration because it is a much simpler, less expensive, and fairer way to resolve contract disputes. The government invades the rights of private property owners when it protects endangered species and regulates land development.