Winner of the Miles Franklin Award in 1971. On the shores of Botany Bay lies an oil refinery where workers are free to come and go. But they are also part of an unrelenting, alienating economy from which there is no escape. In the first of his three Miles Franklin Award-winning novels, originally published in 1971, David Ireland offers a fiercely brilliant comic portrait of Australia in the grip of a dehumanising labour system. This edition of The Unknown Industrial Prisoner comes with an introduction by Peter Pierce. David Ireland was born in 1927 on a kitchen table in Lakemba in south-western Sydney. He lived in many places and worked at many jobs, including greenskeeper, factory hand, and for an extended period in an oil refinery, before he became a full-time writer. Ireland started out writing poetry and drama but then turned to fiction. His first novel, The Chantic Bird, was published in 1968. In the next decade he published five further novels, three of which won the Miles Franklin Award: The Unknown Industrial Prisoner, The Glass Canoe and A Woman of the Future. David Ireland was made a member of the Order of Australia in 1981. In 1985 he received the Australian Literature Society Gold Medal for his novel Archimedes and the Seagull. textclassics.com.au 'A harsh and remarkable work...it will leave you shaken mildly or terribly according to your life experience.' National Times 'When I think of my favourite Australian novels, two 1970s works by David Ireland are near the top of the list: The Unknown Industrial Prisoner and The Glass Canoe.' Stephen Romei

Meat Man is a regular at the Southern Cross pub in Sydney. With his tribe he sits and drinks and watches as life spirals around him. David Ireland’s novel tells his stories, about the pub, its patrons and their women, about the brutal, tender and unexpected places his glass canoe takes him.

KEVIN KEARNEY, Sound designer, Audio Artist and Analogue Location Sound Designer Vol. 2 Part 3 is a historical coverage of the Australian film production period 1977 - 1979 and centres on features, documentaries, short film, music clips, telemovies, series and commercials both nationally and internationally.

This book is an original contribution to literary geography and commentaries on the work of David Ireland. It plots the relationship between the spaces and places of 1970s Australian capitalism as it evolves through Ireland’s 1971 Miles Franklin prize-winning novel The Unknown Industrial Prisoner. In particular, the book theorises the relationship between space and place in literature through two highly innovative arguments: a focus on the spatial unconscious as a means to assess and track the spatiality of capitalism in the novel form; and the articulation of a regime of space through the perceived, conceived and lived constitution of space. Drawing together concepts from radical geography and structural Marxist literary theory, it explores the dominance of the regime of abstract space in the Australian context. The text also examines the nature and possibilities of place-based strategies of resistance, and concludes by suggesting opportunities for future research and plotting the ways in which The Unknown Industrial Prisoner continues to speak to contemporary Australia.

National Fictions is a study of Australian literature and film. It is also a study of Australian culture, viewing the novels and films as products of a specific culture - as narratives with similar structures, functions, forms and meanings. It covers a wide range of texts, offering both close analysis and an account of their place within the system of meanings the book proposes as dominant in Australian culture. The second edition of this influential work includes a new Afterword which traces recent changes in Australian literature and film, examining the growth of women's writing and popular fiction, as well as current trends in Australian cinema. Turner asks whether these developments really mark a shift in the Australian narrative, and whether it is still possible to speak in terms of a national culture. '.a ground-clearing book. a seminal work, setting an agenda for cultural studies beyond the stockyards and croquet lawns of literary criticism.' - David Carter, Australian Literary Studies 'As a global syncretist, Turner is without peer.' - Stuart Cunningham, Media Information Australia