Unity Temple: Frank Lloyd Wright and Architecture for Liberal Religion is the first in-depth study of one of the seminal works of America's most renowned twentieth-century architect. Joseph Siry examines Unity Temple in light of Wright's earlier religious architecture, his methods of design, and his innovative construction techniques. Unity Temple is treated as a work of art that embodies both Wright's theory of architecture and liberal religious ideals.

Unity Temple of Oak Park, Illinois, was considered a modern masterwork from the moment it was completed in 1908. Frank Lloyd Wright (1867-1959) sought to produce a structure as dynamic as the congregation that would occupy it, finding inspiration in the liberal nature of Unitarian thought when creating the groundbreaking design. Wright's use of reinforced concrete was revolutionary for the time, making Unity Temple the first concrete monolith in the world. Inside, warm, inviting hues complement the red oak trim, and skylights and high clerestory art-glass windows fill the space with natural light. The building, which continues to serve its original purpose as a meeting-house for worshipers, is also admired for its superb acoustics. Wright was extremely proud of his design and wrote extensively about it in his autobiography. Frank Lloyd Wright's Unity Temple: A Good Time Place provides an intimate tour of one of Wright's most beloved buildings. Architectural historian Patrick F. Cannon discusses the history of Unity Temple, from Wright's design proposals to its value today as a National Historic Landmark. More than forty-five artful color photographs by James Caulfield, along with historical photographs and floor plans, are featured, accompanied by Cannon's descriptive captions. This book celebrates the ingenuity of a master architect whose vision is evident in every element of Unity Temple.

The first in a series of books that will showcase works from The Museum of Modern Art's superlative holdings in the fields of architecture and design, this text features a range of drawings by great architects such as Frank Lloyd Wright and Alvar Aalto.

Frank Lloyd Wright's innovative streamlined brick and glass Administration Building and Research Tower, built for the company of S. C. Johnson & Son, are landmarks in the history of both American architecture and in building for the working environment. The Administration Building, designed during the Depression, was a beacon of holistic office architecture design. Wright was responsible for conceiving everything from the innovative structural system to the furniture. The phenomenal success of the building led S. C. Johnson to employ Wright again to design the striking Research Tower. This remarkable addition, planned to house the laboratories for industrial research and product development, was the tallest building Wright had built to that date.

"Barry Byrne (1883-1967) was one of the first significant apprentices of Frank Lloyd Wright, studying in Wright's Oak Park studio from 1902 t0 1908. He followed Wright's principles, but forged an individual style more reminiscent of Louis Sullivan and Irving Gill, with taut planar skins enveloping modern space plans. From 1914 to 1917 he was the American partner of Walter Burley Griffin. In 1922 he designed the first modern Catholic church, St. Thomas Apostle in Chicago, and concentrated on Catholic churches and schools for much of his career. This book charts the entire length of Byrne's work, highlighting its qualities while discussing the cultural conditions that kept it in the shadows of his more famous contemporaries. In 1924 he traveled to Europe where be met Mies, Mendelsohn, Oud and other modernist architects there. He was the only Prairie School architect to build in Europe, designing the concrete Church of Christ the King, built in 1928-31 in Cork, Ireland. Illustrated by more than 100 photographs and drawings, this is the first book-length study of Byrne"--

The Architectural Detail is author Edward R. Ford's life's work, and this may be his most important book to date. Ford walks the reader through five widely accepted (and wildly different) definitions of detail, in an attempt to find, once and for all, the quintessential definition of detail in architecture.