Starting with the solution to any given problem, and then working backwards to check and prove that this given solution is correct, is usually a much easier process than that of going from the problem to its solution. This is the methodology that is basic to this book. The nature of our universe is determined using observations, experimental physics, and "Unitivity Theory, A Theory of Everything" and this nature becomes the starting point for the step by step return to the problem of understanding our unknown universe. When our universe's structure is as simple as 1-2-4, it is established that the structure for our universe is strong enough to carry fields, light, time, atomic energy, and a unified field theory. The 2 here refers to the fact that the space of our universe must contain two rooms. When the space of our universe does contain two rooms, poles, charge, quarks, anti-mass, etc. go from being impossible to understand to being easy to understand. Two of the fundamental laws that contribute to the revelation that our space does have two rooms are the conservation of energy as obtained by using anti-energy and the conservation of action as obtained by using reaction.

Literary Nonfiction. Art. Film. Winner of the 2020 Nautilus Award's Gold Medal for Creativity & Innovation. In this fragmentary and fluent little gem--full of light and stunning, full-color images--writer and time-based artist Marilyn Freeman offers up her own contemplative practice of dowsing for and creating "opportune moments" of insight and healing. With humor and humility, Freeman reveals her innovative approach to making video essays, a process developed over years of art-making, study and personal searching--a process of waking up again and again to the extraordinary possibilities hidden in everyday existence. Freeman introduces a theory of "evocative" practice as an alternative to the conventions of narrative and non-fiction filmmaking--a risky and rigorous engagement with form that invites the audience to participate in the creation of meaning. Her examination of the dialectical relationship of sound and image takes us far deeper than just a critical study of audio/visual media--deep into the human heart with its dark traumas and its shimmering capacity for honest and compassionate reckoning. Transgressing disciplinary boundaries and trading authority for authentic inquiry, Freeman takes us with her on a foray into time-based art that leaps and wanders from movie theaters to museums to Instagram in search of the "illuminated spaces" where we encounter ourselves and each other. This book is an essential resource for artists who question the importance of their work in these dark times, and for anyone seeking wisdom and wonder in our ordinary world.

An authoritative interdisciplinary account of the historic discovery of gravitational waves In 1915, Albert Einstein predicted the existence of gravitational waves—ripples in the fabric of spacetime caused by the movement of large masses—as part of the theory of general relativity. A century later, researchers with the Laser Interferometer Gravitational-Wave Observatory (LIGO) confirmed Einstein's prediction, detecting gravitational waves generated by the collision of two black holes. Shedding new light on the hundred-year history of this momentous achievement, Einstein Was Right brings together essays by two of the physicists who won the Nobel Prize for their instrumental roles in the discovery, along with contributions by leading scholars who offer unparalleled insights into one of the most significant scientific breakthroughs of our time. This illuminating book features an introduction by Tilman Sauer and invaluable firsthand perspectives on the history and significance of the LIGO consortium by physicists Barry Barish and Kip Thorne. Theoretical physicist Alessandra Buonanno discusses the new possibilities opened by gravitational wave astronomy, and sociologist of science Harry Collins and historians of science Diana Kormos Buchwald, Daniel Kennefick, and Jürgen Renn provide further insights into the history of relativity and LIGO. The book closes with a reflection by philosopher Don Howard on the significance of Einstein's theory for the philosophy of science. Edited by Jed Buchwald, Einstein Was Right is a compelling and thought-provoking account of one of the most thrilling scientific discoveries of the modern age.

Nonspecialists with no prior knowledge of physics and only reasonable proficiency with algebra can now understand Einstein's special theory of relativity. Effectively diagrammed and with an emphasis on logical structure, Leo Sartori's rigorous but simple presentation will guide interested readers through concepts of relative time and relative space. Sartori covers general relativity and cosmology, but focuses on Einstein's theory. He tracks its history and implications. He explores illuminating paradoxes, including the famous twin paradox, the "pole-in-the-barn" paradox, and the Loedel diagram, which is an accessible, graphic approach to relativity. Students of the history and philosophy of science will welcome this concise introduction to the central concept of modern physics.

Psychologist John Jost has spent decades researching poor people who vote for policies of inequality and women who think men deserve higher salaries. He argues that the persecuted often justify and defend the very social systems that oppress them because doing so serves a fundamental need for certainty, security, and social acceptance.