United States of America V. Jeffries

United States of America V. Jeffries
Title United States of America V. Jeffries PDF eBook
Author
Publisher
Pages 82
Release 1993
Genre
ISBN

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United States of America V. Booker

United States of America V. Booker
Title United States of America V. Booker PDF eBook
Author
Publisher
Pages 64
Release 1995
Genre
ISBN

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United States of America V. Olive

United States of America V. Olive
Title United States of America V. Olive PDF eBook
Author
Publisher
Pages 64
Release 1995
Genre
ISBN

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United States of America V. Mendez

United States of America V. Mendez
Title United States of America V. Mendez PDF eBook
Author
Publisher
Pages 54
Release 1993
Genre
ISBN

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The Scrambled States of America

The Scrambled States of America
Title The Scrambled States of America PDF eBook
Author Laurie Keller
Publisher Macmillan
Pages 44
Release 2002-04
Genre Juvenile Fiction
ISBN 0805068317

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The states become bored with their positions on the map and decide to change places for a while. Includes facts about the states.

Pop Song Piracy

Pop Song Piracy
Title Pop Song Piracy PDF eBook
Author Barry Kernfeld
Publisher University of Chicago Press
Pages 286
Release 2011-08-15
Genre Biography & Autobiography
ISBN 0226431843

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The music industry’s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers’ efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld’s Pop Song Piracy details nearly a century of disobedient music distribution from song sheets to MP3s. In the 1940s and ’50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry’s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.

The United States of America Vs. Hip-hop

The United States of America Vs. Hip-hop
Title The United States of America Vs. Hip-hop PDF eBook
Author Julian L. D. Shabazz
Publisher United Brothers & Sisters
Pages 30
Release 1992
Genre Music
ISBN

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