First published in 1979, The Transformation of England discusses the creation in late eighteenth century England of the industrial system and thereby the present world. Professor Mathias poses questions about the nature of industrialization, social change and historical explanation, issues that are his principal scholarly concern. This series of essays is divided into two groups. The first group of essays focuses upon general themes such as the 'uniqueness' in Europe of the industrial revolution, capital formation, taxation, the growth of skills, science and technical change, leisure and wages, and diagnoses of poverty. In the second section, Professor Mathias focuses on the social structure in the eighteenth century, considering the industrialization of brewing, coinage, agriculture and the drink industries, advances in public health and the armed forces, British and American public finance in the War of Independence, Dr Johnson and the business world.

First published in 1989, United Kingdom? examines the three main divisions in British society in the post-war period: class, race and gender. During the 1980s there was an increasing concern about deep, and often bitter, divisions in British society. Events such as the miners’ strike of 1984-5, the riots in Handsworth, Tottenham and Brixton, and the women’s peace camp at Greenham Common all demonstrated the opposing views and cultures of the British public. However, the UK at the time was also able to show remarkable and continuing stability in other areas. This book considers to what extent the United Kingdom really was a kingdom united from the post-war period to the late 1980s. It focuses on issues of cohesion and conflict and debates the security of essential social stability.

A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart’s membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. First published in 1986, this study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling, as well as a number of other poets. Marie Roberts questions why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths. The beliefs of these poets are as diverse as their practice, and this book sheds fascinating light on several major writers.

Culture and Consensus, first published in 1995 and a revised edition in 1997, explores the history of the relationship between politics and the arts in Britain since 1940, and shows how the search for a secure sense of English identity has been reflected in official and unofficial attitudes to the arts, architecture, landscape and other emblems of national significance. Illustrating his argument with a series of detailed case histories, Robert Hewison analyses how Britain’s cultural life has reached its present enfeebled condition and suggests a way forward. This book will be of interest to students of art and cultural studies.

First published in 1984. The late nineteenth and early twentieth centuries represent not only era of rapidly changing artistic methods but a crucial evolution in art criticism. This book gathers together a wide-range of the criticism that greeted the work of the Impressionists artists in the English Press. The selected examples of praise and antagonism reflect the sentiments expressed in the comments of prominent newspaper and periodical critics. The selection shows the importance of Impressionist art to English art criticism and wide comprehension of the formal qualities in painting. It also demonstrates how forward-looking critics created new criteria for the discussion of modern painting.

First published in 1989, United Kingdom? examines the three main divisions in British society in the post-war period: class, race and gender. During the 1980s there was an increasing concern about deep, and often bitter, divisions in British society. Events such as the miners’ strike of 1984-5, the riots in Handsworth, Tottenham and Brixton, and the women’s peace camp at Greenham Common all demonstrated the opposing views and cultures of the British public. However, the UK at the time was also able to show remarkable and continuing stability in other areas. This book considers to what extent the United Kingdom really was a kingdom united from the post-war period to the late 1980s. It focuses on issues of cohesion and conflict and debates the security of essential social stability.

This book was originally published in 1999, and is the first comprehensive study of the British surrealist movement and its achievements. Lavishly illustrated, the book provides a year-by-year narrative of the development of surrealism among artists, writers, critics and theorists in Britain. Surrealism was imported into Britain from France by pioneering little magazines. The 1936 International Surrealist Exhibition in London, put together by Herbert Read and Roland Penrose, marked the first attempt to introduce the concept to a wider public. Relations with the Soviet Union, the Spanish Civil War and World War Two fractured the nascent movement as writers and artists worked out their individual responses and struggled to earn a living in wartime. The book follows the story right through to the present day. Michael Remy draws on 20 years of studying British surrealism to provide this authoritative and biographically rich account, a major contribution to the understanding of the achievements of the artists and writers involved and their allegiance to this key twentieth-century movement.