Union and Distinction in the Thought of St Maximus the Confessor presents the writings of a key figure in Byzantine theology in the light of the themes of unity and diversity. The principle of simultaneous union and distinction forms the core of Maximus' thought, pervading every area of his theology. It can be summarized as: Things united remain distinct and without confusion in an inseparable union. As Melchisedec Törönen shows, this master theme also resonates in contemporary theological and philosophical discussions.

A major study of the work of St Maximus the Confessor, covering all the important areas of his thought, from Trinitarian theology to cosmology and spirituality.

St Maximus the Confessor is one of the giants of Christian theology. His doctrine of two wills was ratified by the Sixth Ecumenical Council in AD 681. This text throws new light upon one of the most interesting periods of historical and systematic theology.

St. Maximus the Confessor (580-662), was a major Byzantine thinker, a theologian and philosopher. He developed a philosophical theology in which the doctrine of God, creation, the cosmic order, and salvation is integrated in a unified conception of reality. Christ, the divine Logos, is the centre of the principles (the logoi ) according to which the cosmos is created, and in accordance with which it shall convert to its divine source. Torstein Tollefsen treats Maximus' thought from a philosophical point of view, and discusses similar thought patterns in pagan Neoplatonism. The study focuses on Maximus' doctrine of creation, in which he denies the possibility of eternal coexistence of uncreated divinity and created and limited being. Tollefsen shows that by the logoi God institutes an ordered cosmos in which separate entities of different species are ontologically interrelated, with man as the centre of the created world. The book also investigates Maximus' teaching of God's activities or energies, and shows how participation in these energies is conceived according to the divine principles of the logoi. An extensive discussion of the complex topic of participation is provided.

This book is dedicated to the synergic process of divine-human communion in the humanly possible knowledge of God, according to Saint Maximus the Confessor. These various types of knowledge play an important, but as yet unexplored role in Maximus the Confessor's teaching on God, which in many respects appears to be a synthesis and culmination of the Greek patristic tradition and the antecedent of ancient pre-Christian and Christian philosophy. Focus on this problem brings forth the major issues of Maximus' psychology: the "soul-body" relationship and a detailed examination of the cognitive capacities of the soul, including the perception of the senses, rational activity, and operations of the mind. The indivisibility of the gnoseological issues from medieval man is traced in an examination of the cognitive levels within the trichotomic structure of practical philosophy, natural contemplation, and theology. The two methods--both affirmative (cataphatic) and negative (apophatic)--demonstrate the two rational discourses in human knowledge of God. Special attention is given to the understanding of hexis (ἕξις) and gnomi (γνώμη) concepts and their crucial place in the cognitive structure, leading to knowledge of God as Goodness and of God as Truth.

Despina D. Prassas's translation of the Quaestiones et Dubia presents for the first time in English one of the Confessor's most significant contributions to early Christian biblical interpretation. Maximus the Confessor (580–662) was a monk whose writings focused on ascetical interpretations of biblical and patristic works. For his refusal to accept the Monothelite position supported by Emperor Constans II, he was tried as a heretic, his right hand was cut off, and his tongue was cut out. In his work, Maximus the Confessor brings together the patristic exegetical aporiai tradition and the spiritual-pedagogical tradition of monastic questions and responses. The overarching theme is the importance of the ascetical life. For Maximus, askesis is a lifelong endeavor that consists of the struggle and discipline to maintain control over the passions. One engages in the ascetical life by taking part in both theoria (contemplation) and praxis (action). To convey this teaching, Maximus uses a number of pedagogical tools including allegory, etymology, number symbolism, and military terminology. Prassas provides a rich historical and contextual background in her introduction to help ground and familiarize the reader with this work.

This study contextualizes the achievement of a strategically crucial figure in Byzantium's turbulent seventh century, the monk and theologian Maximus the Confessor (580-662). Building on newer biographical research and a growing international body of scholarship, as well as on fresh examination of his diverse literary corpus, Paul Blowers develops a profile integrating the two principal initiatives of Maximus's career: first, his reinterpretation of the christocentric economy of creation and salvation as a framework for expounding the spiritual and ascetical life of monastic and non-monastic Christians; and second, his intensifying public involvement in the last phase of the ancient christological debates, the monothelete controversy, wherein Maximus helped lead an East-West coalition against Byzantine imperial attempts doctrinally to limit Jesus Christ to a single (divine) activity and will devoid of properly human volition. Blowers identifies what he terms Maximus's "cosmo-politeian" worldview, a contemplative and ascetical vision of the participation of all created beings in the novel politeia, or reordered existence, inaugurated by Christ's "new theandric energy". Maximus ultimately insinuated his teaching on the christoformity and cruciformity of the human vocation with his rigorous explication of the precise constitution of Christ's own composite person. In outlining this cosmo-politeian theory, Blowers additionally sets forth a "theo-dramatic" reading of Maximus, inspired by Hans Urs von Balthasar, which depicts the motion of creation and history according to the christocentric "plot" or interplay of divine and creaturely freedoms. Blowers also amplifies how Maximus's cumulative achievement challenged imperial ideology in the seventh century—the repercussions of which cost him his life-and how it generated multiple recontextualizations in the later history of theology.