Part "White Teeth", part "Adrian Mole", "Unimagined" is the captivatingemoir of a Muslim boy born in Pakistan, who moves to London aged one androws up torn between his Islamic identity and his desire to embrace the West.he endearing narrator recalls his childhood in a series of vivid snapshots:utrage as deserved victory is snatched away from him in the Karachi Bonnieaby contest; bitterness as he is tricked out of his collection of Tarzanubble-gum cards by junior con artists; the heady taste of success in theetropolitan Police schools quiz; joy at passing the entrance exam to theocal grammar school; uncertainty as he seeks to become a doctor (like allood Asian boys); and shock at experiencing racist abuse from pupils,eighbours and strangers. Imran's response is a determined quest to becomehe quintessential English gentleman: tie perfectly knotted, shirt pristinelyroned, hair neatly combed.;Like most boys, he has a parallel obsession withars and girls: he yearns to emulate his hero, Simon Templar in The Saint, byriving off into the distance in a Jaguar XJS and encountering danger,

This groundbreaking work, with its unique anthropological approach, sheds new light on a central conundrum surrounding AIDS in Africa. Robert J. Thornton explores why HIV prevalence fell during the 1990s in Uganda despite that country's having one of Africa's highest fertility rates, while during the same period HIV prevalence rose in South Africa, the country with Africa's lowest fertility rate. Thornton finds that culturally and socially determined differences in the structure of sexual networks—rather than changes in individual behavior—were responsible for these radical differences in HIV prevalence. Incorporating such factors as property, mobility, social status, and political authority into our understanding of AIDS transmission, Thornton's analysis also suggests new avenues for fighting the disease worldwide.

This Festschrift, Unimagined Futures – ICT Opportunities and Challenges, is the first Festschrift in the IFIP AICT series. It examines key challenges facing the ICT community today. While addressing the contemporary challenges, the book provides the opportunity to look back to help understand the contemporary scene and identify appropriate future responses to them. Experts in different areas of the ICT scene have contributed to this IFIP 60th anniversary book, which will be a key input to the ICT community worldwide on setting policy priorities and agendas for the coming decade. In addition, a number of contributions look specifically at the role of professionals and of national, regional, and global organizations in disseminating the benefits of ICT to humanity worldwide.

Both deliciously funny and deeply insightful, THE PERFECT GENTLEMAN is a beguiling multi-layered memoir that has touched the hearts of readers all over the world. At the age of one, Imran Ahmad moved from Pakistan to London, growing up torn between his Islamic identity and his desire to embrace the West. Join Imran in his lifelong struggle against corruption and injustice, and as he grapples with some of Life's most profound questions. What does God do exactly? Do you automatically go to Hell for following the wrong religion? How do you persuade a beautiful woman to become your girlfriend (and would driving a Jaguar XJS help?) Can you maintain a James Bond persona without the vodka, cigarettes and women - even whilst your parents are trying to arrange your marriage? Imran's unimagined journey makes thoughtful, compelling, and downright delightful reading. With a unique style and unflinching honesty, THE PERFECT GENTLEMAN addresses serious issues in an extraordinarily light way, and will leave readers both thinking deeply and laughing out loud.

Europe Un-Imagined examines one of the world’s first and only trans nationally produced television channels, Association relative à la télévision européenne (ARTE). ARTE calls itself the "European culture channel" and was launched in 1991 with a French-German intergovernmental mandate to produce television and other media that promoted pan-European community and culture. Damien Stankiewicz’s ground-breaking ethnographic study of the various contexts of media production work at ARTE (the newsroom, the editing studio, the screening room), reveals how ideas about French, German, and European culture coalesce and circulate at the channel. He argues that the reproduction of nationalism often goes unacknowledged and unremarked upon, and questions whether something like a European "imagination" can be produced. Stankiewicz describes the challenges that ARTE staff face, including rapidly changing media technologies and audiences, unreflective national stereotyping, and unwieldy bureaucratic infrastructure, which ultimately limit the channel’s abilities to cultivate a transnational, "European" public. Europe Un-Imagined challenges its readers to find new ways of thinking about how people belong in the world beyond the problematic logics of national categorization.